The Morningside Opera company offered up a quite singular interpretation of Pergolesi‘s Stabat Mater in their Fabulosa rendition on January 26th at Dixon Place, which proved, at once, a scholarly as well as a quite literal undressing of the original. Composed in 1736 – the year of Pergolesi’s death at the august age of 26 – the piece has been an iconic work in the canon of western sacred music ever since and has enjoyed an unbroken record of performance for nearly three hundred years. This surely says something about a work, to have endured so vigorously the vagaries of artistic, musical, and religious change, never mind or dare one say, taste. Which in many ways explains its attraction for Morningside Opera, who see their role as boundary-pushers wishing to invigorate dialogue between traditional and new modes of the form. Their stripped down presentation was both scholastically dense as well as visually provocative.
If you haven’t heard Eden and John’s East River String Band yet, then you are in for a treat! Based in the East Village in NYC, Eden Brower and John Heneghan have been entertaining audiences in America, Canada, and Europe for the past several years with their versions of 1920s pre-war blues, jazz, pop, and country songs, recreating and reviving a new world of “Old Time” music.
Their unique sound and authentic vibe are a fresh breath of air in contemporary music. By bringing to light this world of old music, they bring us back to a time where the love of playing is as important as technical skill, as they share a catalog of old time songs infused with feeling, emotion, and energy.
Younger minds may find entertainment and diversion at 3 Ghosts, this stage musical adaptation of Charles Dickens‘ story,A Christmas Carol by Pipe Dream Theatre Productions. Everything about it resonates with an enthusiastic note of, well, glee. The attractive and animated cast strut and stand about stage looking very pleased with themselves, and the energy level is up; positive; high. They know enough to drop the smiles when the mood switches to somber – as the tale of a haunted, miserly materialist may necessitate – but you know it won’t be long before the scene is lit once more with those megawatt smiles, so de rigueur for the current generation of spotlight-hungry performers. And with an ensemble cast of forty plus, that’s a lot of light, a lot of energy. There are almost twenty musical performances, several involving choreographed dancers, and all on the modest sized stage at the Beckett Theatre. Just imagine the stage direction logistics alone!
A benefit concert is being held to celebrate the 10th anniversary of Ghar Sita Mutu- “House with a Heart” – a charity that offers a children’s home, a children’s learning center, a women’s training center, and a family outreach program to those living in extreme poverty in Kathmandu, Nepal.
Vocalist Champagne Pam, the Dog Walking Diva had the audience eating out of her palm last night at Don’t Tell Mama, New York’s legendary cabaret room. With a song list that ranged from jazz to R&B to original songs, every note was a little drop of love for the clients she so adoringly tends to day after day … the dogs who depend on her, love her unconditionally and occasionally steal her heart.
To celebrate a decade of songwriting and playing music, Joe Yoga has put together a Retrospective NYC Tour – five venues, seven days, ten years of songs. Each show in the tour is centered around a different theme, signifying the stops and signposts along his journey over the past ten years.
Joe Yoga
As a singer/songwriter Joe Yoga regularly plays venues all over NYC. He released his most recent album, Life Out East, in September 2010. Joe’s album of earlier recordings collected from now-unavailable releases, The Dreamless Sea, is available for free download at bandcamp.com.
Vocalist “Champagne Pam” returns to Don’t Tell Mama’s in her cabaret show The Dog-Walking Diva. Bubbling with a spectrum of sound from contemporary music to jazz, this show is intended to pop with the cabaret devotee as well as dog lovers everywhere!
Donald Rebic, piano, and John Hurley, guitar – 3 night run
Thursday – Saturday November 3rd, 4th & 5th *7:30 shows
at Legendary Cabaret Room – Don’t Tell Mama – 343 West 46th Street, NYC
$20 + 2 drink minimum – CASH ONLY
Click Here to reserve your ticket or make reservations by phone: (212) 757-0788
Vocalist “Champagne Pam” returns to Don’t Tell Mama’s in her cabaret show The Dog-Walking Diva. Bubbling with a spectrum of sound from contemporary music to jazz, this show is intended to pop with the cabaret devotee as well as dog lovers everywhere!
Donald Rebic, piano, and John Hurley, guitar – 3 night run
Thursday – Saturday November 3rd, 4th & 5th *7:30 shows
at Legendary Cabaret Room – Don’t Tell Mama – 343 West 46th Street, NYC
$20 + 2 drink minimum – CASH ONLY
Click Here to reserve your ticket or make reservations by phone: (212) 757-0788
If you’ve ever seen Mike Milazzo play the guitar then you already know what an amazing experience it is to watch him – his fingers fly effortlessly over the strings producing almost unbelievably complex sounds that are not only beautiful and powerful but raw and real. As a songwriter Mike has the ability to find the core of what connects us all and finesse it into thoughtful words and haunting melodies. As a singer, Mike’s voice is earnest and true; evocative and filled with emotion. He takes you on a journey with every line he sings, and it’s not until he’s strummed his last note that you’re able to break the hypnotic spell which his music has cast over you. You only have to sit through one of Mike’s performances to know that he is one of the best musicians around.
For those not lucky enough to be able to see Mike perform in person, he’s working on getting a new album out called “The Show”. Mike Milazzo took some time in between gigs to chat with us about what inspired him to write these songs, what the differences are between collaborating and going solo, and he finally solves the mystery of who, exactly, “Mr. Barry” is. Read on …
Meet Anna. In Anna & The Annadroids: Memoirs of a Robot Girl- an interesting combination of modern dance, techno music, social commentary, science fiction, multimedia, and a bit of burlesque – Anna is an android who is made of ”pure synthetic organic flesh”. So instead of being made only of metal with a “mind full of microchips” she’s got a heart filled with “…love…passion…confusion…pure sexuality”. The dancing and aerial acrobatics of Anna Sullivan (Anna), are accompanied with ambient, driving techno beats created by various artists which she performs while wearing beautiful costumes created by Elizabeth Harzoff. The acrobatics seem to correspond to times of dreams (whether regular or daydreams) as something seems to be making her concentrate on something other than reality.
