Congratulations to the folks over at T. Schreiber Studio – their production of Kenneth Lonergan’s Lobby Hero will extend for four additional performances November 30th through December 3rd at the company’s Gloria Maddox Theatre (151 West 26th Street, 7th Floor). We loved the show and are thrilled that more audiences will be able to experience the show. Read our review here and purchase tickets here.
Fault Line Theatre’s new production of Frogs - the Ancient Greek play written by Aristophanes – is reminiscent of Cupcake Wars. Wait… stay with me here – I promise this will make sense in a second. So, Cupcake Wars is all about taking the basic ingredients and saying “There … there you go. You all have the same items. Now go create something magical and wonderful that I would never have expected from this. And make it radically different from the guy standing next to you”. That’s the challenge of taking a play written in 405 BC and making it both exciting, relevant and modern while still keeping the time-honored tenets in tact. Director Aaron Rossini and company not only succeed in creating something magical and wonderful, they excel.
The plot itself isn’t very complicated; it begins with Dionysus (Haas Regen) and his devoted – if overtaxed – servant Xanthias (Blake Segal) hatching a scheme which involves Dionysus pretending to be his half-brother Heracles (Matt Clevy) in order to gain safe passage to Hades to bring Euripides (Craig Wesley Divino) back from the land of the dead. So, think Crosby and Hope in “Road to Hades” where the goal isn’t so much to get the girl in the end as it is to get the dazzling poet who (one hopes) will come back topside and make everything right because if there’s one thing everyone knows … the only way to stop civil unrest is with a poet.
Site-Specific theatre productions are all the rage now, and in a city like New York where every conceivable set already exists in real life it’s really just a matter of finding the perfect spot for your play to unfold.
It Is Done written by Alex Goldberg happens to take place in a bar, but it’s also being produced in a bar; The Mean Fiddler Bar & Grill located in the heart of the theatre district just a stone’s throw from the hustle and bustle of the Great White Way. Still, it’s a sure bet that even the patrons dining right above in the main room have no idea there’s such wicked goings-on underfoot in the lower level.
The set up is perfect, and upon entering you can’t help but think that this bar already looks like a staged set. Ease back and begin to eat and drink (that is, if you come at the suggested time, which is one hour before showtime) and you get to wear a personal groove in the seat while enjoying the It Is Done menu and knocking back your free drink (beer and wine) and soaking in the atmosphere. This is no Tony and Tina’s Wedding, however … once the show starts there is a lot of action going on around the bar, but the audience has no part in it. For all intents and purposes you all might as well be ghosts.
Dating in the big city is tough. There are millions of people, many of them interesting, well educated, good looking. How does a single girl who works long hours and hasn’t dated since her relationship ended 18 months ago find love again?
If you’re Theresa Bedell (Kate Dulcich) you agree to be set up on a blind date with Tony (David Hudson). After all, nothing is more natural than the fix-up, right? And that’s how Boy Gets Girl by Rebecca Gilman begins. Two unattached people agreeing to meet on the recommendation of a mutual friend who actually isn’t a close friend of either. Still, why not?
Heading into the new play written by an “A-list lineup of writers with 2 Pulitzer Prizes, 4 Obies, 1 Emmy® and 3 Tony® nominations” I expected that the evening would make me laugh … but not till my sides hurt. I expected to be moved … but not to tears. Standing On Ceremony: The Gay Marriage Plays manages to take a controversial topic and give it a 360; some aspects are made endearingly simple yet never does this show shy away from the frustration and confusion that the issue of gay marriage brings with it. What Standing On Ceremony does so elegantly is show how gay marriage is just as easy as, just as complicated as, just as worthy as, just as demanding as, just the same as, and completely different from straight marriage. There are no two marriages on this earth that are the same because there are as many ways to live on this earth as there are human beings. The two people who join their lives together define what makes the union – the two personalities melding together will create the new whole. Gay, straight – these issue and roadblocks, these milestones and hurdles are to be celebrated together. That is what defines a marriage. Standing On Ceremony explores this brilliantly.
Ultimately there will be a revolving cast with writers offering up different material so your experience may vary. Currently the show is featuring ‘The Revision‘ by Jordan Harrison, ‘This Flight Tonight‘ by Wendy MacLeod, ‘On Facebook‘ by Doug Wright, ‘My Husband‘ by Paul Rudnick,’Traditional Wedding‘ by Mo Gaffney, ‘Strange Fruit‘ by Neil LaBute, ‘The Gay Agenda‘ by Paul Rudnick, ‘London Mosquitoes‘ by Moisés Kaufman and ‘Pablo and Andrew at the Altar of Words‘ by Jose Rivera.
The greatest gift you could give a playwright is time. Endless time to work and re-work the kinks out of a plot, time to make the characters feel more real, time to make the situations ring more true. Time to write and re-write until all you are has been put on that page and there’s nothing left to do but have it read by someone else and sit back, watching as it comes to life.
Men in Northpoint Training Center have a lot of time. And they have no shortage of ideas, given the circumstances of their lives. What these men need in order to be playwrights is an example. A leader. A teacher.
Here’s where you come in. But wait … maybe I should keep telling their story so you understand what exactly is going on here.
There are a few things that are crucial when it comes to producing a successful children’s theatre piece. First of all, your story has to be entertaining. Secondly the action has to be fast-paced. And finally, there has to be a strong lesson underneath all the funny costumes, big movements, and thick accents. Because while we want our kids to have a good time, we also hope they’re learning something in the process.
Looking Glass Theatre’s Calamity Jane Battles The Horrible Hoopsnakes (written by E. J. C. Calvert) delivers the goods, and much more! With a healthy dose of imagination provided by the audience (who is asked to participate in fun ways) the team behind Calamity Jane packs a lot into the 50 minutes, with audience members big and small finding themselves having a rip-roaring time.
Temperatures were rising last night at the first evening of the two part celebration for Doc Wasabassco’s 7th Anniversary Extravaganza. The blazing hot belles were ravishing, revealing and resplendant as they strutted, sauntered and slowly stripped their way across the stage of The Bell House last night.
But that was only part of it.
As promised the place was crammed with every type of seductive, suggestive, steamy, spicy, slinky thing you could imagine. Lady Scoutington warmed up the crowd on the main stage with some get up and go-go dancing while out in front Peekaboo Pointe was Pole Dancing and doing things I’d only heard of whispered about in certain circles. She was mesmerizing to say the least.
Vocalist Champagne Pam, the Dog Walking Diva had the audience eating out of her palm last night at Don’t Tell Mama, New York’s legendary cabaret room. With a song list that ranged from jazz to R&B to original songs, every note was a little drop of love for the clients she so adoringly tends to day after day … the dogs who depend on her, love her unconditionally and occasionally steal her heart.
If you’re any kind of regular reader of THM then you know that around here we sure love Burlesque. Lucky us! Living in New York City as we do, there is no shortage of fantastic Burlesque performers who constantly and consistently have us hooting and hollering and calling out for more.
Doc Wasabassco by Leland Bobbe
If you, too, are a lover of Burlesque then the name Doc Wasabassco is not new to you. You’ve no doubt seen the Wasabassco name plastered across any number of posters, or perhaps have seen the man himself as he introduces one of his amazing shows.
This weekend marks the Seventh Anniversary of Wasabassco Burlesque. To celebrate, Friday, November 4th and Saturday, November 5th Brooklyn-based Wasabassco Burlesque will present over 40 of Wasabassco’s favorite performers, with over six hours of risqué entertainment guaranteed to blow the roof off The Bell House in Brooklyn.
Among other things there will be a stocking fashion show, a pole dance show-within-a-show, performances by the Outer Borough Brass Band along with striptease, hula hooping, fire eating and more.
Doc Wasabassco took some time to answer a few of my questions before I head out to the big event which begins tomorrow.
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