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by Karen Tortora-Lee on January 24, 2012
I was lucky enough to get a sneak peek at the new short film by Antonia Bogdanovich — MY LEFT HAND MAN — starring Thomas Brodie-Sangster (Nanny McPhee, Love Actually), Andrew Howard (Limitless, upcoming “Hatfields and McCoys”), Kevin Bigley (“The Chicago Code,” “CSI: Miami”) and Erich Wildpret, who is a Latin American star. The 18-minute dramatic short screens as part of the NJ Film Fest at Rutgers on January 28th. Although the film clocks in at under half an hour I was captivated by the beautiful mosaic of emotions Bogdanovich was able to create both as writer and director in this film. The story is told in a straightforward, simple manner however the situation is anything but conventional.
The Emersons are a theatrical family, of sorts – one son is a street performer who recites Shakespeare while his older brother picks pockets in the crowd. Their father, a has-been thespian, spends the take on booze and ponies. But Samuel wants to make like his comic book hero The Cardinal Comet and split; and a visit from a loan shark gives Samuel a chance at freedom.
Ms. Bogdanovich graciously allowed me to pepper her with questions, both about this amazing film and the process of making it, as well as how her impressive lineage played a part in making her who she is today. Read on as she tells me about the challenges of creating a short film, how her own rebellious youth helped her created the character of Samuel, and exactly what a “left hand man” means to her …
Antonia Bogdanovich
Antonia! I just saw your short film, MY LEFT HAND MAN, and found it incredibly compelling. In 18 minutes you manage to tell a story which provides so much back-story yet takes place in a very short span of time.
You not only directed MY LEFT HAND MAN, but wrote it as well. Where did this idea of the story come from?
Antonia Bogdanovich: The idea came from a few places. I love Shakespeare – as an actor, I studied it a bit at the Royal Academy of Dramatic Arts in London (summer program). And I have seen quite a few very good productions on stage, as well as some of or most of the films. I really relate to his work, it has such depth yet it is so accessible. The crime elements are from my own experiences….ahem… I was a bit of a juvenile delinquent – rebelling pretty hard against my upbringing. So I basically hung out with kids that stole cause they had to (their parents didn’t have enough to finance their extracurricular activities) or because they just liked the thrill of getting away with it or both.
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by Anne Jordanova on September 20, 2010
I left a screening late last night of “I’m Still Here” disturbed, alarmed, and literally unable to sleep afterward. The ‘documentary film’ directed by Casey Affleck centers around the retirement of actor and brother in law Joaquin Phoenix, and his decision to descend into a downward spiral into the world of hip hop. After two years of speculation, the film ultimately was not real, and more along the lines of films like “Don’t Look Back” and “This is Spinal Tap”. However, I am not sure where that leaves us.
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by Anne Jordanova on August 18, 2010
I don’t ordinarily feature films in the ‘De Profil’ section on THM, but I figured this is a grand exception. As I walked past the Aneglika today in Manhattan, I saw a film poster for “The Concert” starring a wonderful French actress named Melanie Laurent. I decided to check it out, and was blown away by this amazing, little film that came out of nowhere!
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by Anne Jordanova on April 2, 2010
It was great to see the crowd for this film at my local cinema last night. Yes, the reviews for this look like they are all over the map. But let it be said that without this fantastic casting (Julianne Moore, Liam Neeson and Amanda Seyfried-a powerful erotic, sexual trio), the glorious cinematography and the wildly gorgeous sound track, it might be all of what these uninspired critics are writing. The film stays true to the original plot: a doctor thinks her husband is cheating so she hires a young beautiful prostitute named Chloe (a surprisingly excellent Amanda Seyfried) to seduce him, with an outcome that will make your mind spin, in pure Hitchcock form.
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by Anne Jordanova on March 6, 2010
Once upon a time, in Nazi occupied France…
is the tag line of Quentin Tarantino’s latest masterpiece, which debuted last year at the 62nd Annual Cannes Film Festival. The film goes by the name “Inglourious Basterds” and its title addresses the many cast of characters in this film who are out for some good Jewish revenge – the main reoccuring theme of this film.
It is no secret that this film was, by far, my favorite film of 2009 and that I am rooting for it to sweep up every Academy Award it’s nominated for this year, including Best Picture, Best Supporting Actor, Best Cinematography, Directing, Film Editing, Sound Editing, Sound Mixing, and Best Original Screenplay.
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by Anne Jordanova on March 4, 2010
Brosnan and McGregor
“The Ghost Writer” is the latest film by Polish-French genius director Roman Polanski. It is a sleek, stylish, and smart political thriller that has channeled Hitchcock in ways that no one has done, since…well-Hitchcock himself. Like the master, Polanski sets his tone through ominous music, and bases this on a central character-an innocent who struggles to find truth, and gain control of a living nightmare.
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by Anne Jordanova on February 28, 2010
“I gave God a chance to kill me…”
The White Ribbon is the latest film by Austrian born director Michael Haneke. Those who are familiar with Haneke know that he is a fan of long, detailed shots (Cache), and violence (Funny Games) to express and communicate to his audience. But his latest film Das Weisse Band (The White Ribbon) which is nominated this year for Best Foreign Film at the Oscars steers us in a ultimately different direction: to that of a pre-World War 1 black and white Germany … stimulating a breeding ground for hate, fascism, and events to come later in this country.
But the true theme of The White Ribbon is simply evil. A brilliantly put together careful and cautious analysis of pure evil.
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by Anne Jordanova on February 24, 2010
Poster Officiel
So, it was announced as of April 2009, that Guillaume Canet’s incredible French thriller “Ne le dis à Personne” (or, Tell No One, en anglais) will receive the ultimate Hollywood retouch … an English language remake. Not much was heard after that announcement, but now according to Variety magazine Miramax and Focus Features will be taking this on.
Tell No One was an excellent film, and a HUGE success in its native France. Coming from the hands and mind of its director -French actor turned director Guillaume Canet- it was well received, reviewed, and loved by audiences across France … including myself.
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by Diánna Martin on January 15, 2010
Tea, Anyone? (Photo courtesy of Screenrant.com)
I’m very excited about Tim Burton’s new take on Alice In Wonderland. I honestly can’t think of anyone else who could bring the tale to the screen and give it that surreal (read: trippy) quality that it properly deserves. The cast is amazing and includes Johnny Depp, Helena Bonham Carter, Mia Wasikowska, Stephen Fry, Crispin Glover, Anne Hathaway, Christopher Lee, Matt Lucas, Alan Rickman, and Michael Sheen. I’m about as excited to see Rickman as the Caterpillar as I am Depp as The Mad Hatter! (“Whoooo Are Yooooou?” lol)
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by Karen Tortora-Lee on August 3, 2008
New York City in the summer can be brutal … hotter than hot and crammed full of people. While a lot of people spend their time doing the “Yay! Summer” chant, I spend June through September finding ways to avoid the whole thing.
These last few weeks have been in the high 80s, the low 90s, I can’t remember exactly — the heat runs it all together for me. So what better way to forget your troubles than in a darkened movie theatre?
While I’ve always been okay with science fiction, fantasy, and graphic novels turned into movies, it was more of a take it or leave it thing before meeting Stephen. Had it not been for him, I’d never have seen a movie like GhostRider or Fantastic 4 or X-Men. Some I’ve liked more than I expected to, some I’ve suffered through, but all have lead to good conversations afterwards since Stephen is such a fan of the dark vs. light concept.
On Friday night after work we were able to catch Hellboy 2 which was a movie I was definitely looking forward to, having been such a fan of the first Hellboy.
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