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My Left Hand Man: Antonia Bogdanovich Explains What It Means To Be A Family

by Karen Tortora-Lee on January 24, 2012

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I was lucky enough to get a sneak peek at the new short film by Antonia BogdanovichMY LEFT HAND MAN —  starring Thomas Brodie-Sangster (Nanny McPhee, Love Actually), Andrew Howard (Limitless, upcoming “Hatfields and McCoys”), Kevin Bigley (“The Chicago Code,” “CSI: Miami”) and Erich Wildpret, who is a Latin American star. The 18-minute dramatic short screens as part of the NJ Film Fest at Rutgers on January 28th.  Although the film clocks in at under half an hour I was captivated by the beautiful mosaic of emotions Bogdanovich was able to create both as writer and director in this film.  The story is told in a straightforward, simple manner however the situation is anything but conventional.

The Emersons are a theatrical family, of sorts – one son is a street performer who recites Shakespeare while his older brother picks pockets in the crowd. Their father, a has-been thespian, spends the take on booze and ponies. But Samuel wants to make like his comic book hero The Cardinal Comet and split; and a visit from a loan shark gives Samuel a chance at freedom.

Ms. Bogdanovich graciously allowed me to pepper her with questions, both about this amazing film and the process of making it, as well as how her impressive lineage played a part in making her who she is today.  Read on as she tells me about the challenges of creating a short film, how her own rebellious youth helped her created the character of Samuel, and exactly what a “left hand man” means to her …

Antonia Bogdanovich

Antonia! I just saw your short film, MY LEFT HAND MAN, and found it incredibly compelling. In 18 minutes you manage to tell a story which provides so much back-story yet takes place in a very short span of time.

You not only directed MY LEFT HAND MAN, but wrote it as well. Where did this idea of the story come from?

Antonia Bogdanovich: The idea came from a few places. I love Shakespeare – as an actor, I studied it a bit at the Royal Academy of Dramatic Arts in London (summer program). And I have seen quite a few very good productions on stage, as well as some of or most of the films. I really relate to his work, it has such depth yet it is so accessible. The crime elements are from my own experiences….ahem… I was a bit of a juvenile delinquent – rebelling pretty hard against my upbringing. So I basically hung out with kids that stole cause they had to (their parents didn’t have enough to finance their extracurricular activities) or because they just liked the thrill of getting away with it or both.

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Another Universe Is Just A Click Away: Meet Mardi-Ellen Hill – Multi-Media MENDtm Maven

by Karen Tortora-Lee on July 21, 2010

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In a time when full immersion is the key to any good entertainment experience Mardi-Ellen Hill has managed to create a multi media-universe that allows the participant to be drawn into a world of her creation through any number of doors.  Choose your favorite: book, game, music, and let the hidden mystery that is the MEND™ Universe unfold.

I got a chance to chat with creator Mardi-Ellen Hill who could explain this multi-level, multi media project far better than I ever could . . .

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Paper Planes – The Only Way To Fly!

by Karen Tortora-Lee on June 4, 2010

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Tell me the truth . . . Paper Airplanes – Origami for Americans or just a clever way to send the math test answers across the room?

America’s favorite paper company, Dunder Mifflin, used the Paper Airplane in the director’s cut of their paper commercial, and everyone’s favorite engineer – Dilbert – has one in the opening credits of his animated series.

This weekend you can compete in the First Annual Paper Airplane Derby as part of the Come Out & Play Festival.  It’s a great chance to be creative, show off your skillz and win a trophy!

I chatted with Rachel Schutt and Linda Perkins about what makes their Derby the fliest event at the festival.

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When Writers Read – Motel Girl

by Karen Tortora-Lee on January 15, 2009

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Webster’s Dictionary defines Theatre as … come on. You really think I’d start off like that?

Theatre as concept, theatre as concrete structure, theatre as war … for the purposes of these posts, “theatre” is any time someone stands (sits or lays) in front of a group of others and entertains them. So today rather than review a play, I’d like to exercise that notion and take a bit of a turn.

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