A benefit concert is being held to celebrate the 10th anniversary of Ghar Sita Mutu- “House with a Heart” – a charity that offers a children’s home, a children’s learning center, a women’s training center, and a family outreach program to those living in extreme poverty in Kathmandu, Nepal.
Vocalist Champagne Pam, the Dog Walking Diva had the audience eating out of her palm last night at Don’t Tell Mama, New York’s legendary cabaret room. With a song list that ranged from jazz to R&B to original songs, every note was a little drop of love for the clients she so adoringly tends to day after day … the dogs who depend on her, love her unconditionally and occasionally steal her heart.
To celebrate a decade of songwriting and playing music, Joe Yoga has put together a Retrospective NYC Tour – five venues, seven days, ten years of songs. Each show in the tour is centered around a different theme, signifying the stops and signposts along his journey over the past ten years.
Joe Yoga
As a singer/songwriter Joe Yoga regularly plays venues all over NYC. He released his most recent album, Life Out East, in September 2010. Joe’s album of earlier recordings collected from now-unavailable releases, The Dreamless Sea, is available for free download at bandcamp.com.
Vocalist “Champagne Pam” returns to Don’t Tell Mama’s in her cabaret show The Dog-Walking Diva. Bubbling with a spectrum of sound from contemporary music to jazz, this show is intended to pop with the cabaret devotee as well as dog lovers everywhere!
Donald Rebic, piano, and John Hurley, guitar – 3 night run
Thursday – Saturday November 3rd, 4th & 5th *7:30 shows
at Legendary Cabaret Room – Don’t Tell Mama – 343 West 46th Street, NYC
$20 + 2 drink minimum – CASH ONLY
Click Here to reserve your ticket or make reservations by phone: (212) 757-0788
Vocalist “Champagne Pam” returns to Don’t Tell Mama’s in her cabaret show The Dog-Walking Diva. Bubbling with a spectrum of sound from contemporary music to jazz, this show is intended to pop with the cabaret devotee as well as dog lovers everywhere!
Donald Rebic, piano, and John Hurley, guitar – 3 night run
Thursday – Saturday November 3rd, 4th & 5th *7:30 shows
at Legendary Cabaret Room – Don’t Tell Mama – 343 West 46th Street, NYC
$20 + 2 drink minimum – CASH ONLY
Click Here to reserve your ticket or make reservations by phone: (212) 757-0788
If you’ve ever seen Mike Milazzo play the guitar then you already know what an amazing experience it is to watch him – his fingers fly effortlessly over the strings producing almost unbelievably complex sounds that are not only beautiful and powerful but raw and real. As a songwriter Mike has the ability to find the core of what connects us all and finesse it into thoughtful words and haunting melodies. As a singer, Mike’s voice is earnest and true; evocative and filled with emotion. He takes you on a journey with every line he sings, and it’s not until he’s strummed his last note that you’re able to break the hypnotic spell which his music has cast over you. You only have to sit through one of Mike’s performances to know that he is one of the best musicians around.
For those not lucky enough to be able to see Mike perform in person, he’s working on getting a new album out called “The Show”. Mike Milazzo took some time in between gigs to chat with us about what inspired him to write these songs, what the differences are between collaborating and going solo, and he finally solves the mystery of who, exactly, “Mr. Barry” is. Read on …
I like nothing better than being naughty at the Opera. Neophytes might consider this akin to making out in the last pew of church but, actually, it’s not. I mean, really. Generally, no matter which opera you’re attending there’s all this drama unfolding in front of you … all this intense emotion, this deep passion, this hear break, this “I WILL NEVER BE THE SAME AGAIN” melodrama. How could it not inspire you to get a little frisky during intermission?
Well, okay, usually it’s kinda impossible to get frisky, but a gal can dream. But wait – hold the phone. What’s this? Morningside Opera is actually encouraging frisky behavior with their latest opera, The Judgment of Paris. Just look at that poster! It’s hotter than a Russ Meyer film. I, of course, will be there. Let’s not forget these are the folks who supplied the fabulous burlesque performer Medianoche to do a strip tease during their Diva Search Karaoke – so you know they’re serious when it comes to sizzle. I chatted with Amber Youell who is a performing in Judgment of Paris, while also serving on Moringside Opera’s board of directors. Listen as she tells me how they intend to push the boundaries and seduce their audience loud and clear. Continue Reading…
Is a darkness that we knew, And this regret I’ve grown accustom to.
– “Tears Dry On Their Own” / Amy Winehouse
There’s always a little bit of “what if” and “why didn’t someone” and “stop demonizing / vilifying / glorifying them now just because they’re dead” that goes on right after a controversial celebrity dies suddenly (although never quite unexpectedly). And today is no different, as I watch my friends debate Amy Winehouse some saying ”What a tragedy” and others saying “I’m surprised she lasted this long”. Meanwhile, the ones who like to hear themselves talk, are gratuitously pointing out that she died as she lived and had no one to blame but herself. Yes. We’re all aware of who Amy Winehouse was publicly. The talent. The trainwreck. And ultimately, the tragedy.
I’m not really here to ruminate on her death. I’m just here to memorialize someone who broke my heart.
I’m always happy when I have an excuse to talk to Eric Sanders – he’s one of the most talented people I’ve run across and I love that doing what I do allows me to periodically get him to update me on what he’s doing. A quick brush up: I first met Eric when he was re-imaging Algernon Blackwood’s The Wendigo (which scared the heck out of me) and then got to see his punchier side during Fight Fest with his crowd favorite: Last Lifewhich was resurrected more times than (wait … I think I made this joke already. Cher’s career? Well, it writes itself so you fill in the blank).
Now, Eric Sanders has teamed up with Dave Nuss to bring forth Original Innocence – a Rock Opera and they’re hosting a “Symposium on Creation Mythology” on Wednesday, February 23, 2011 at 7 PM at the Anthroposophical Society of New York (138 West 15th Street btwn. 6th/7th Ave.).
This symposium will feature practitioners and scholars from an array of religious traditions discussing how the creation mythology of a religion creates or reflects the context for its ethical structure.
Several songs from the show will be performed, and food from the Holy Land will be served. BYOB.
Admission will be on a sliding scale (‘pay what you wish’) from $5-$50. All proceeds from the Symposium will go towards the first workshop presentation of “Original Innocence” on Friday, March 25, 2011 at 8 PM at the Issue Project Room in Brooklyn.
You may remember Morningside Opera from the Opera Karaoke which I covered in December. They are a NYC-based opera collective, and they will present the world premiere of a new Handel opera entitled Atra, ossia, l’amore ricordato (Atra, or the remembered love) this Friday, February 4 and Saturday, February 5 at 8PM in the Ailey Citigroup Theater, New York City.
Friends of The Happiest Medium are welcome to use the discount code AMICI2011 when purchasing tickets via this link (click here)so be sure to take advantage of this offer!
Atra is a pasticcio comprising a selection of Handel’s best arias and music woven together by a modern plot that evokes themes from traditional opera seria. The multimedia production, designed and directed by Minou Arjomand, draws on projection, film, dance, music, and words to create a new opera, both in content and presentation, that explores connections between operatic conventions and social conventions in America today, in particular those surrounding the controversial topic of gay marriage.
Continue Reading…
