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by Geoffrey Paddy Johnson on May 24, 2012
The first thing you can’t fail to notice upon entering the performance space for Empirical Rogue‘s production of Romeo and Juliet, is the spectacular environment chashama have provided for the company. Formerly a taxi service garage on Jackson Avenue, LIC, the space retains the character of its previous functionalism, but the translation of the environment for its theatrical purpose is all but awe inspiring. This is immersive theatre space at its most captivating. Three very simple arrangements of double rowed seats place the audience right at the edge of the action. Behind them floor to ceiling drapes of canvas enclose the space and focus attention on one corner of the performance area, where a raised office hutch serves as the play’s famous balcony setting. The raw cinder block walls are spectrally painted with fading murals and decorative effects that describe location and contribute atmosphere almost slyly – “Verona” the largest declares boldly, like some pageant-styled vermouth advertisement of the Forties. A raw building scaffold sits easily in the space, spotlights glow in constellation behind canvas walls, and a wide grill metal gate recalls you to the actuality of the location. Before the drama has begun you want to take your hat off to production designer, Dante Olivia Smith, muralist, Adam Fujita, and producer/director, Tim Eliot. This is one of the most intelligent and graceful set designs I have come across.
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by The Happiest Medium on May 21, 2012
Benefitting: Ali Forney Center
Produced by Stephan Davis
Written/Composed by Stephan Davis
“Rylie meets Matthew. Their lives are altered, for better and worse. They love through sickness and health. But when Rylie’s health declines, hospital policy keeps them apart.”
Show Times:
- Fri 6/1/12 – 9:00pm
- Sun 6/3/12 – 8:00pm
- Fri 6/8/12 – 4:00pm
- Sun 6/10/12 – 10:00pm
- Wed 6/13/12 – 5:00pm
- Tues 6/19/12 – 6:00pm
Answers by Stephan Davis
Karen Tortora-Lee’s Question
How did you come up with the title for your show?
Stephan: I came up with the title for the show based on a song that the character sings at the end of the show, thanking his partner for the beautiful romance that they have shared and encouraging him to continue to be open to love again.
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by The Happiest Medium on May 21, 2012
Benefiting: RAINN
Produced by Daydream Theatre Company
Written by Lenny Schwartz
“Accidental Incest: Someone for Everyone” is a sick and disturbing comedy about two people who find romance in this crazy world. The problem is that they are indeed brother and sister! So they are left with a question: Be miserable or be with the one person who truly gets who you are.”
Show Times:
- Fri 6/15/12 – 4:00pm
- Sat 6/16/12 – 6:00pm
- Sun 6/17/12 – 8:00pm
Answers by Lenny Schwartz
(Writer/Director)
Karen Tortora-Lee’s Question
How did you come up with the title for your show?
Lenny: My boss, Linda Barone, at Trinity Rep suggested the title “Accidental Incest” and said that I should write a play with that title. I added the “Someone for Everyone.” It seemed like too rich a title to pass up.
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by The Happiest Medium on May 16, 2012
Benefiting: GEMS
Created by Members of Project Girl Performance Collective
Directed by Ashley Marinaccio
Show Times:
- Mon 6/4/12 – 4:00pm
- Fri 6/8/12 – 6:00pm
- Sun 6/10/12 – 5:30pm
- Sat 6/16/12 – 4:30pm
- Thu 6/21/12 – 5:00pm
- Sat 6/23/12 – 1:30pm
Answers by various cast/staff members of TRAFFICKED including
Mildred Jones-Hamm (Performer), Monica Furman (Performer/Creator), Chioneso Bakr (Performer), Ashley Marinaccio (Director)
Karen Tortora-Lee’s Question
How did you come up with the title for your show?
Ashley Marinaccio: Trafficked tells the story of sex slavery and child exploitation through the eyes of fifteen young women. In an ensemble devised performance constructed by interviews, research and media, the cast puts a name and face to the thousands of undocumented girls and boys who are trafficked into the billion dollar sex industry each year. We chose to call our show Trafficked because it summarizes what our show is about.
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by The Happiest Medium on May 9, 2012
Benefiting: Food Bank for New York City
Produced/Written by Stephen Stocking & Troy Miller
Directed by Troy Miller
Performed by Christopher Bonewitz, Rachel Christopher, Stephen Stocking, Bridget Ori, Tara Carrozza, Leigh Dunham, Michael Levi Harris, Matthew Stapleton
“Who hasn’t had a bad date? No one. Not even your grandma. The Bad Date Project takes two lonely singles on a rocky treasure hunt for love…or fun…or just some kind of connection. Created from true stories, it’s a sexy, hilarious and tragic look at dating in the new millennium.”
Show Times:
- Sat 6/2/12 – 6:00pm
- Thu 6/7/12 – 10:00pm
- Sun 6/10/12 – 2:00pm
- Wed 6/13/12 – 8:00pm
- Mon 6/18/12 – 4:00pm
- Wed 6/20/12 – 9:30pm
- Thu 6/21/12 – 8:00pm
- Sat 6/23/12 – 3:00pm
Answers by Troy Miller
(Co-Creator, Co-Producer, Director)
Karen Tortora-Lee’s Question
How did you come up with the title for your show?
Troy: As we started talking about writing and developing the play, we didn’t have a name, but the idea was a project of sorts, so as a working title we started calling it THE BAD DATE PROEJCT and it sort of stuck. But it’s also appropriate to what the show is about. It’s a study of dating. It takes work to date and to figure out how to do it well. So the word “project” seemed to have a lot of meaning to us.
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by Geoffrey Paddy Johnson on May 9, 2012
New York City is host to two concurrently running productions of Shakespeare’s Macbeth this Spring: Aquila Theatre‘s presentation at the Gym at Judson (April 18th – May 6th), and Epic Theatre Ensemble‘s interpretation at the 47th Street Theatre (April 20 – May 26th). A stable of many a theatrical company’s portfolio, apart from its matchless, vivid language, Macbeth as drama has much to attract aspiring ensembles, not least the challenge presented in portraying two of Shakespeare’s most unsympathetic lead roles. We watch as Macbeth and his wife are enticed into evil by the lure of power and then, as good stage villains, are punished for their crimes. The trick, however, is in making them into more than stage villains, for in that resides the case for tragedy and its capacity to ennoble human existence. It is a tricky bit of the equation as both of these productions can testify.
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by Karen Tortora-Lee on May 8, 2012
There’s a reason that the second rule of Fight Club is the same as the first rule of Fight Club. Because Tyler Durden (and by extension, author Chuck Palahniuk) understood that it’s human nature to break rules. First rule of Fight Club – don’t talk about Fight Club. Second Rule of Fight Club: DO NOT talk about Fight Club. So what did people do?
What does this have to do with August Schulenberg’s new play DEINDE? Simple. DEINDE – a sci-fi story of quantum biologists who use a Dineural Entangled Intelligence Network DEvice [a "clumsy acronym, really, not even a real E at the end"] to “loop in” in order to juice their brains so that they can be smart enough to cure a virus that has been killing the world’s population – begins with four simple rules:
- When using DEINDE do not think of anything other than work.
- Do not keep the connection to DEINDE live outside of work.
- Do not use DEINDE to communicate with each other.
- Do not use DEINDE to accss the world online.
Sounds so easy to follow, right? So did “Don’t talk about Fight Club” and we all know how that turned out.
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by The Happiest Medium on May 7, 2012
Benefiting: Sanctuary for Families
Produced by The Dirty Blondes
Written by Ashley J. Jacobson
“A sinister tale of a burgeoning friendship in an increasingly sociopathic society hell-bent on making monsters of its men and objects of its women. What would Partick Bateman do?”
Show Times:
- Mon 6/4/12 – 6:00pm
- Thur 6/7/12 – 10:30pm
- Thur 6/14/12 – 4:00pm
- Wed 6/20/12 – 8:30pm
- Fri 6/22/12 – 6:00pm
- Sat 6/23/12 – 6:30pm
Answers by Alexandra Siladi (Director),
Ashley Jacobson (Playwright),
Elizabeth Sarkady (Manager)
Karen Tortora-Lee’s Question
How did you come up with the title for your show?
Alexandra Siladi: Our show was inspired by American Psycho – playwright Ashley Jacobson decided on this specific title because we also realized this story was a capsule of modern American life. It is about white men, a demographic who not only who founded the country we live in, but continue to decide on the laws & regulations that govern its citizens. We see this play as a comment on American society and how in 20 years since American Psycho was written, not only has the story of Patrick Bateman been embraced by a large majority of those who know it, but it has become an iconic vision of the American male’s greatest concerns: image, sex, power, and money.
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by The Happiest Medium on May 6, 2012
Benefiting: Lesbian, Gay, Bisexual & Transgender Community Center
Produced by Cross-Eyed Bear Productions
Written/Directed by Duncan Pflaster
“Adrian and Javier are a gay couple who don’t believe in marriage- but everyone assumes they’re married. When they realize they’ve never actually opened up their “open relationship”, they decide to each go out and get laid, with hilarious and erotic results. Featuring an all-male cast of 13 in an epic satire of modern gay society. Warning: Nudity.”
Show Times:
- Fri 6/8/12 – 6:30pm
- Wed 6/13/12 – 10:00pm
- Sat 6/16/12 – 10:00pm
- Mon 6/18/12 – 7:30pm
- Thu 6/21/12 – 10:00pm
- Sat 6/23/12 – 6:30pm
Answers by Duncan Pflaster
(Writer, Director)
Karen Tortora-Lee’s Question
How did you come up with the title for your show?
Duncan: It actually took a long time and I went through several titles- It began life called Fidelity, was called Sex and Sensibilities for a while, then went through a number of options that weren’t quite right: One Touch of Penis, The Salad of the Bad Young Men, I Am Into Champagne, Wang the Drum Slowly, and then I tentatively settled on the somewhat bland Equality for the first draft and private reading with my playwright group… but then I read an interview with Paul Rudd in US Weekly where he mentioned the awkwardness of doing nude scenes and pitied the poor soundman who had to look at his hairy taint- and BAM, “The Taint of Equality” it was. The pun sounds vaguely dirty and makes people giggle, but the other meaning resonates with the Gay Marriage themes of the play. And the subtitle of course is from the 80s George Michael song- since he’s struggled in his personal life with some of the same fidelity/monogamy issues as my characters (and is mentioned in the play), that just seemed to be appropriate.
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by The Happiest Medium on May 5, 2012
Benefiting: UJA of New York
Produced by Provident Productions
Book, Music & Lyrics by James Behr
Composed & Arranged & Musically Directed by James Behr
“The Count of Monte Cristo, a musical based upon the famed Alexandre Dumas novel, now comes to the Broadway stage! Come see the beloved and thrilling story of love, revenge and redemption in this prize-winning and critically acclaimed new musical.”
Show Times:
- Tue 6/12/12 – 6:30pm
- Sat 6/16/12 – 8:30pm
- Sun 6/17/12 – 4:00pm
- Mon 6/18/12 – 7:00pm
- Thu 6/21/12 – 9:00pm
- Sat 6/23/12 – 3:30pm
Answers by James Behr
Karen Tortora-Lee’s Question
How did you come up with the title for your show?
James: The title is based upon the book, “The Count of Monte Cristo” by Alexandre Dumas, which the musical is adapted from.
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