by Stephen Tortora-Lee on November 16, 2011
15 months ago I had the opportunity to review 23 Feet In 12 Minutes as it premiered in the 2010 NYC Fringe Festival. Since then this show has made it to New Orleans and back with some wonderful work-shopping in the Cape Cod Theatre Project along the way. It came back to New York as part of the All For One Festival and I was lucky enough to see the newly evolved work. While the show only had a 2 day run I thought I’d do an in-depth exploration of the piece highlighting the evolution from the version I saw 15 months ago. I hope 23 Feet In 12 Minutes will continue to be performed and developed in the future, and continue to have a wider and wider audience, because while it gives gripping stories of many of the tragic human consequences that happened following the touchdown of Hurricane Katrina, it also shows us the best of humanity.
Written by Mari Brown, performed by Deanna Pacelli, and directed by Pamela Berlin and David Travis this new revision moves from the free-flowing stream of conciousness writing and performing in the premiere version, to a well thought out piece where every action (or inaction) seems carefully weighted and balanced to tell a story with a beginning, a middle, and a NOW. At the end I think anyone who sees this will want to do whatever they can to help prevent disasters – wherever they happen in the world – from getting this out of control again by emulating the people they’ve seen represented in this show. Last time I wrote a review, I compared everyone to heroes. This time I think it is more apt to compare them to saints both because the Saints are the New Orleans team, but also because I hope that these stories can help others learn to live by the examples given by Saints in the spiritual sense. The fact that all of these characters in 23 Feet In 12 Minutes came from interviews of real people makes it even more inspiring — and akin to the history of what elevates a person to sainthood.
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by Karen Tortora-Lee on November 15, 2011
Dating in the big city is tough. There are millions of people, many of them interesting, well educated, good looking. How does a single girl who works long hours and hasn’t dated since her relationship ended 18 months ago find love again?
If you’re Theresa Bedell (Kate Dulcich) you agree to be set up on a blind date with Tony (David Hudson). After all, nothing is more natural than the fix-up, right? And that’s how Boy Gets Girl by Rebecca Gilman begins. Two unattached people agreeing to meet on the recommendation of a mutual friend who actually isn’t a close friend of either. Still, why not?
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by Karen Tortora-Lee on November 14, 2011
Heading into the new play written by an “A-list lineup of writers with 2 Pulitzer Prizes, 4 Obies, 1 Emmy® and 3 Tony® nominations” I expected that the evening would make me laugh … but not till my sides hurt. I expected to be moved … but not to tears. Standing On Ceremony: The Gay Marriage Plays manages to take a controversial topic and give it a 360; some aspects are made endearingly simple yet never does this show shy away from the frustration and confusion that the issue of gay marriage brings with it. What Standing On Ceremony does so elegantly is show how gay marriage is just as easy as, just as complicated as, just as worthy as, just as demanding as, just the same as, and completely different from straight marriage. There are no two marriages on this earth that are the same because there are as many ways to live on this earth as there are human beings. The two people who join their lives together define what makes the union – the two personalities melding together will create the new whole. Gay, straight – these issue and roadblocks, these milestones and hurdles are to be celebrated together. That is what defines a marriage. Standing On Ceremony explores this brilliantly.
Ultimately there will be a revolving cast with writers offering up different material so your experience may vary. Currently the show is featuring ‘The Revision‘ by Jordan Harrison, ‘This Flight Tonight‘ by Wendy MacLeod, ‘On Facebook‘ by Doug Wright, ‘My Husband‘ by Paul Rudnick,’Traditional Wedding‘ by Mo Gaffney, ‘Strange Fruit‘ by Neil LaBute, ‘The Gay Agenda‘ by Paul Rudnick, ‘London Mosquitoes‘ by Moisés Kaufman and ‘Pablo and Andrew at the Altar of Words‘ by Jose Rivera.
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by Michelle Augello-Page on November 10, 2011
A benefit concert is being held to celebrate the 10th anniversary of Ghar Sita Mutu - “House with a Heart” – a charity that offers a children’s home, a children’s learning center, a women’s training center, and a family outreach program to those living in extreme poverty in Kathmandu, Nepal.
Ghar Sita Mutu Benefit Concert
The Ghar Sita Mutu Benefit Concert is on Monday, November 14 at the Theatre for the New City. 155 First Ave, NYC. 8 pm – 11:30 pm. Suggested donation at the door is $15. There will be performances by musicians, actors, and comedians, including Anacoustic Mind, Khaled Dajani, Michael Birch, John Grimaldi, Mike Milazzo, Mark Normand, Sharon Jane Smith, Lord Lorax, Cathryn Lynne, and Sagar Bhatt.
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by Karen Tortora-Lee on November 8, 2011
The greatest gift you could give a playwright is time. Endless time to work and re-work the kinks out of a plot, time to make the characters feel more real, time to make the situations ring more true. Time to write and re-write until all you are has been put on that page and there’s nothing left to do but have it read by someone else and sit back, watching as it comes to life.
Men in Northpoint Training Center have a lot of time. And they have no shortage of ideas, given the circumstances of their lives. What these men need in order to be playwrights is an example. A leader. A teacher.
Here’s where you come in. But wait … maybe I should keep telling their story so you understand what exactly is going on here.
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by Karen Tortora-Lee on November 7, 2011
There are a few things that are crucial when it comes to producing a successful children’s theatre piece. First of all, your story has to be entertaining. Secondly the action has to be fast-paced. And finally, there has to be a strong lesson underneath all the funny costumes, big movements, and thick accents. Because while we want our kids to have a good time, we also hope they’re learning something in the process.
Looking Glass Theatre’s Calamity Jane Battles The Horrible Hoopsnakes (written by E. J. C. Calvert) delivers the goods, and much more! With a healthy dose of imagination provided by the audience (who is asked to participate in fun ways) the team behind Calamity Jane packs a lot into the 50 minutes, with audience members big and small finding themselves having a rip-roaring time.
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by Karen Tortora-Lee on November 5, 2011
Temperatures were rising last night at the first evening of the two part celebration for Doc Wasabassco’s 7th Anniversary Extravaganza. The blazing hot belles were ravishing, revealing and resplendant as they strutted, sauntered and slowly stripped their way across the stage of The Bell House last night.
But that was only part of it.
As promised the place was crammed with every type of seductive, suggestive, steamy, spicy, slinky thing you could imagine. Lady Scoutington warmed up the crowd on the main stage with some get up and go-go dancing while out in front Peekaboo Pointe was Pole Dancing and doing things I’d only heard of whispered about in certain circles. She was mesmerizing to say the least.
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by Karen Tortora-Lee on November 4, 2011
Vocalist Champagne Pam, the Dog Walking Diva had the audience eating out of her palm last night at Don’t Tell Mama, New York’s legendary cabaret room. With a song list that ranged from jazz to R&B to original songs, every note was a little drop of love for the clients she so adoringly tends to day after day … the dogs who depend on her, love her unconditionally and occasionally steal her heart.
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by Geoffrey Paddy Johnson on November 4, 2011
With the rise (and rise) of circus performances in the mold of Cirque de Soleil, western audiences have become more familiar with the astounding acts of physical ability acrobats can achieve, and also increasingly with an old school notion of razzle-dazzle to accompany such acts. Sets and costumes have evolved to elaborately frame these displays and a light narrative or theme is invoked to suggest continuity and order. The circus, in the last two decades, has evolved dramatically. Indeed it is safe to say that spectacle is established as the ruling aesthetic for Hollywood, and now Broadway.
Honing close to a tradition that reaches back centuries and, more formally, under the auspices of a state initiative established by the People’s Republic of China in 1950 – when twentieth century political propaganda was at a hysterical pitch internationally – where do such innovations now leave an outfit like The National Acrobats of the People’s Republic of China? This year The National Acrobats are conducting an inaugural tour of the United States (timing, you should understand, would be one of their strong points) and a lucky audience at a performance given at the Brooklyn Center for the Performing Arts were given an opportunity on Saturday, October 29th,to assess.
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by Karen Tortora-Lee on November 3, 2011
If you’re any kind of regular reader of THM then you know that around here we sure love Burlesque. Lucky us! Living in New York City as we do, there is no shortage of fantastic Burlesque performers who constantly and consistently have us hooting and hollering and calling out for more.
Doc Wasabassco by Leland Bobbe
If you, too, are a lover of Burlesque then the name Doc Wasabassco is not new to you. You’ve no doubt seen the Wasabassco name plastered across any number of posters, or perhaps have seen the man himself as he introduces one of his amazing shows.
This weekend marks the Seventh Anniversary of Wasabassco Burlesque. To celebrate, Friday, November 4th and Saturday, November 5th Brooklyn-based Wasabassco Burlesque will present over 40 of Wasabassco’s favorite performers, with over six hours of risqué entertainment guaranteed to blow the roof off The Bell House in Brooklyn.
Among other things there will be a stocking fashion show, a pole dance show-within-a-show, performances by the Outer Borough Brass Band along with striptease, hula hooping, fire eating and more.
Doc Wasabassco took some time to answer a few of my questions before I head out to the big event which begins tomorrow.
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