The Happiest Medium

Find Your Place In The “History Of The World”

by Karen Tortora-Lee on January 9, 2012

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“History is written by the victors” said Winston Churchill and while that may be true, history is certainly interpreted by the artists.  History of The World, written by Judith Malina currently being performed at The Living Theatre not only illustrates this, but exemplifies it.  Filled with dramatic scenes of artists, philosophers, thinkers, and game-changers this interactive staging takes the audience through a journey where the goal is not so much to witness history as to experience it, explore it vicerally, and (ultimately) to know it in a way that the history books could never emulate.

The Living Theatre, founded by Malina (and Julian Beck) in 1947, is the oldest experimental NYC theatre still in existence.  This latest conceptual play is the perfect cocktail of experimental theatre with long roots: it simultaneously reflects the freshness of understanding the subtle nuances of contemporary themes, original ideas and developing concepts; while still being richly imbued with many years of  development in the experimental milieu. The result is an evening of everything New York underground experimental theatre should be – stirring, moving, a little unpredictable — at times a little uncomfortable.  If you give yourself over to the process, History of the World will allow you to experience moments of true fear, actual deeply moving pain, and (ultimately) invite you to raise yourself to a higher emotional plane – all in 90 minutes.

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You’ve Ruined A Perfectly Good Mystery! (Fringe Festival 2011)

by Stephen Tortora-Lee on August 18, 2011

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One thing about Fringe Festival is that it encourages experimentation among the already experimental crowd of off-off-Broadway and regional theatre troops from around the country.  You can read more about their developmental process here, really quite fascinating actually. This piece is interesting in part because of the comedy interwoven into the structure (a fun mix of parody and literary criticism), but more importantly the methodologies of how the story is told (using audience participation) are worth going to the play by themselves. Mercury Rep, a Madison, Wisconsin based company, has been a past fringe favorite, and  they get a chance to make their mark this year again.  You’ve Ruined A Perfectly Good Mystery! is truly is a good example of the type of theatre that the New York International Fringe Festival exposes to a larger audience.

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Posted in Festival and FRINGE 2011 and Manhattan and Off-Off-Broadway and Review and Theatre .


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