by Karen Tortora-Lee on March 24, 2011
These women of the arts hail from different disciplines, but they all have an indomitable spirit and a luminescent spark that makes them amazing human beings who are out there every day, doing amazing work.
Today we continue our series with Heidi G. Grumelot.
Heidi Grumelot is the Artistic Director of Horse Trade Theater Group. Horse Trade is comprised of three theatres that are like second homes to me: UNDER St. Marks, The Kraine and The Red Room. I had the pleasure of getting to know her after we sat on a panel together during FRIGID NewYork 2011 discussing Self Producing Artists. Honestly, I”m surpirsed it took me this long to actually meet her considering what a fan I am of Horse Trade and how much of my time is spent there.
Heidi is also a talented director; she was responsible for the extremely enjoyable Donnie and the Monsters which was held over last year. I’m happy to see someone so cool, so together and so strong being responsible for so much of the NYC downtown theatre scene. I can’t wait to continue working with her in the years to come. Now here’s Heidi’s story …
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by Karen Tortora-Lee on March 21, 2011
These women of the arts hail from different disciplines, but they all have an indomitable spirit and a luminescent spark that makes them amazing human beings who are out there every day, doing amazing work.
Today we continue our series with Emily Owens. Without exaggeration I can say that Emily paved the way for making The Happiest Medium what it is today. Way back in 2008 when I was a fledgling reviewer and still trying to figure out how to fill a weekly column quota (for another site) publicist Emily Owens contacted me about some shows she was representing. I was new to it all and eagerly accepted every show that she sent my way. ”Just you wait,” my husband (and the co-founder of The Happiest Medium) said, “One day you’ll be getting so many offers from so many publicists that you’ll be turning them away!” I couldn’t imagine what that would feel like.
Well, here we are, two and a half years later and I’m proud to say that Emily Owens and I continue to enjoy a very successful business relationship to this very day. And, Stephen was right – these days THM gets so many offers to review shows that we have to be very choosy with what we follow up on. I’m grateful … but overworked and overwhelmed at times by the amount of shows that are happening in Manhattan. Having a relationship with a someone like Emily — a publicist I can trust – ensures that The Happiest Medium is always covering the best, newest, and greatest of what’s out there. Emily has been critical in getting me together with some of my very favorite people in this industry, and – I’ll say it again – I wouldn’t be where I am if I hadn’t begun reviewing shows repped by Emily Owens. Most recently, as the publicist for the Frigid New York Festival 2011, she made it possible for The Happiest Medium to become a Media Sponsor and the relationships we were able to build during that festival were invaluable. Never mind just plain fun!
I’m in awe of her energy, her intuition and her connections. And I thank her from the bottom of my heart for what she does not only for me, but for all the talented people who count on her to publicise them the right way, every day. Now let’s hear her story …
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by Diánna Martin on March 9, 2011
When you were growing up, did you ever have characters from TV or film that you looked up to and felt that if you could be like them, you could do anything? Cyndi Freeman sure did, and she didn’t pick any run-of-the-mill hero…she picked THE woman…you know…the awesome chick in the invisible jet who could tie up any creep with her golden lasso and bounce bullets off of her groovy bracelets…all while wearing practically nothing in red, white, & blue. Wonder Woman: A How To Guide for Little Jewish Girls is part feminist hero worship and trivia; part life story of growing up more geek than hero with family dysfunction; and part tale of using the strength within to battle some of the scariest nemeses of all: life’s curve-balls.
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by Diánna Martin on March 9, 2011
A energetic and fascinating ensemble piece, Yippie! blends fact and fiction to create a behind-the-scenes look at the rise of Jerry Rubin’s Youth International Party of the 1960s. In a “what if?” take on the Chicago 1968 riots, writers/directors Randy Anderson and Harrison Williams look at the darker side of what happens when even flower children can take a life in the name of revolution, albeit perhaps unintentionally.
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by Diánna Martin on March 9, 2011
There Is No Good News featuring David Mogolov (Photo by Daniel Van Ackere)
From the moment you hear David Mogolov utter the words: “When I was seven years old my parents bought me a bullwhip,” the ice is broken, the walls immediately come down, and you are brought into a world of a hilarious, yet serious, one-man show that is There Is No Good News. I found myself laughing – no, guffawing, loudly – many, many times as we were presented with a glorious diatribe on everything from maniacal boys gone wild to Katrina victims; meth addicts with a purpose to job interviewers that have odd ways of selecting their candidates. But it’s not just a comedic piece; it’s razor sharp in its wit and cynicism in a manner reminiscent of David Sedaris, Dennis Miller, Brian Unger, and Bill Mahr.
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by Karen Tortora-Lee on March 7, 2011
So, what exactly is a FRIGID Hangover? Well, if you’re me, it’s the pounding headache you woke up with this morning after celebrating at the FRIGID Closing Ceremonies last night.
But if you’re one of the lucky ones a FRIGID Hangover means that – by popular demand – yours was picked as one of the shows to have an encore presentation. We’re thrilled that these wonderful performers get another chance to show off their stuff:
- Fate, Fury and Musical Theatre: A Kind of Cabaret
- Goodnight Lovin’ Trail
- Mendacity
- Paradise Lost
- Saving Tania’s Privates
- The Oregon Trail: Quest for the West!
- We Might Be Experimenting On You
- Wonder Woman: A How-to Guide for Little Jewish Girls
CONGRATULATIONS to all the shows!
FRIGID Hangovers will run March 7-13 at The Kraine & The Red Room (85 East 4th Street between 2nd Ave and Bowery).
Tickets ($18/$15 students & seniors) may be purchased online at www.FRIGIDnewyork.info or by calling Smarttix at 212-868-4444.
For more details about the shows, keep reading -
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by Diánna Martin on March 3, 2011
Year of the Slut featuring Jen Lieberman (Photo by Lindsay Goldman)
Jennifer Lieberman’s one-woman show, Year of the Slut, is an odyssey through the life of a young Canadian getting her feet wet in the bright lights and big city of New York. The main things on her mind besides getting her acting career in high gear is to successfully 1) lose her virginity 2) survive the land mines of available yet dysfunctional bachelors who she finds herself involved with and 3) meet Mr. Right while opening up her horizons to channeling her sexuality through her creativity.
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by Antonio Miniño on March 3, 2011
Candy Simmons in Scarlet Woman
Simple: if you love a good murder mystery and film noir you will enjoy Scarlet Woman. Matthew Well’s play has more twists and turns than a twizzler, and actresses Candy Simmons and Megan Hill love chewing on that licorice!
Carmine (one of the characters played by Candy Simmons), is a woman who can’t get a recent fire out of her mind, except she can’t really remember the details! Off she goes to find out who killed her father. Her clue? One of his former lovers who sends her off on a wild noir chase to another lover… and that lover to another… and another… you get it. Megan Hill does a great job at physically transforming into the different smokey ladies and even a couple of dandies.
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by Stephen Tortora-Lee on March 2, 2011
The Shorebound Swim with a One Click Kick
Have you ever had one of those dreams? Where you’re having one crazy twist after another, and you can’t wait to see what will happen next… and then you wake up confused not sure what it meant and it even might fade away soon after waking, but it leaves these potentialities of ideas buzzing in your head the rest of the day? The Shorebound Swim With a One Click Kick: A Tragedy of Reason (Written by Markus Paminger & Directed by Alison Carroll) is an awful lot like that. Very enticing, but left intentionally vague, I think, so that you can believe whichever ending you’d hope for.
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by Karen Tortora-Lee on March 2, 2011
Goodnight Lovin' Trail Featuring Nic Mevoli & Olivia Rorick (Photo by David Anthony)
Have you ever stupidly misplaced something that was really important to you? Just walked away from it, not realizing it was out of your hands until it was too late? Remember that panic that gripped you to the very core? How your blood turned to ice in your veins and your heart pounded so loud you could hear it in your ears? In John Patrick Bray’s One-Act, Goodnight Lovin’ Trail, this is the moment we meet a traveler who’s just realized he’s left behind the most important thing he owns – Della: his guitar. Without Della this stranger feels like ”a wave of the ocean hung out to dry.”
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