by Antonio Miniño on November 3, 2009
If I said to you I was an old time fan of Heather and Retro Productions I would be lying … and why start off with a lie? Who would I be! Despicable me … so lets start with the truth and nothing but! I first became acquainted with their work about a year ago as a matter of … chance. I reviewed their production of Mill Fire for The Fab Marquee and was taken in by their attention to detail, something that made me think they had been around for – oh, I don’t know – 10 years. To my surprise they are only a couple of years old, but seasoned in talent and determined to bring back quality pieces – and as I learned after interviewing their Artistic Director Heather Cunningham – new works as well.
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by The Happiest Medium on August 20, 2009
Keith Chow
Paolo Javier chats with Keith Chow about the inaugural Asian American Comicon in post-convention glow.
Asian Americans have been vital contributors to the American comic book since, well, its birth, a fact rarely acknowledged by an industry that continues to uphold a homogeneously white and hetero imaginary on the covers and in the panels of its mainstream and independent titles. With this in mind, I cannot thank the BSG gods enough for the editors of Secret Identities, the first-ever anthology of Asian American comics published earlier this year, who followed-up their historic publication with an equally groundbreaking event on July 11th at the Museum of the Chinese in America: the inaugural Asian American Comics Convention. The AACC felt more like a day-long celebration; I got to participate in the morning as a reader on the panel ‘Every Comic is Asian American’, then geek out in the afternoon and evening as a reader and fan. (During my panel, I shared excerpts from obb, my on-going poetry comic collaboration with artist Ernest Concepcion that’s partially inspired by our lifelong interest in underground comic art and artists.) And I loved AACC for all the reasons that Keith Chow, co-organizer of the event and co-editor of Secret Identities, gives in our post-convention interview below.
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by Serena Liu on July 21, 2009
Rachel Rheingold & Michael Berick
Maptote’s tote bags are the perfect neighborhood bling. How else can you proudly and properly pimp out your ‘hood? My own Queens tote has been to all five boroughs and back as well as various ‘hoods on many continents. I’ve used it to tote groceries, picnic wares and beach going gear. Plus, they’re local (Brooklyn-based) and indie!
Pay attention to Rachel Rheingold and Michael Berick favorite Park Slope spots since they know a thing or two about quality goods and esoteric neighborhood facts.
Name: Rachel Rheingold & Michael Berick
Occupation: Designers and owners of Maptote
Borough/Neighborhood: Park Slope, Brooklyn
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by Karen Tortora-Lee on November 20, 2008
My husband’s home town in Michigan is so small that, to them, the word “theatre” is 1) spelled “theater” and 2) always preceded by the word “movie”. And if you want to get to that “movie theater” you’ll need a car — because the closest one is 13 miles away in the next town over. Growing up, if he wanted a theatre experience of ANY kind he needed to head to Chicago.
Meanwhile, New York is so rife with theatre space that you can’t go to a Starbuck’s without being within a stone’s throw of one. Heck … there’s one in the building where I work. There was even a theatre connected to the restaurant I had dinner in last night. If you climb on any mailbox and squint, you can see independent theatre going on everywhere in New York.
I’m particularly fond of theatre companies who put on well crafted plays written by up and coming writers. Johnna Adam’s Angel Eater’s Trilogy is just such a work, and FLUX Theatre Ensemble is just such a company.
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