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MTWorks National NewBorn Festival Kicks Off Tonight

by Karen Tortora-Lee on February 3, 2011

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As the recently appointed Vice-Chair of Maieutic Theatre Works-MTWorks I’m honored to be (just a small) part of the very talented team that brings The National NewBorn Festival to life.

Please join me tonight for the first in the series of free readings dealing with such hot topics as: immigration, sexuality, war and freedom.

All readings will take place at:

The City College of New York
138th Street at Amsterdam Avenue
New York, NY

Thursday, February 3rd at 6:00pm
The Aronow Theater (First Floor)

**Resident Reading**

THE REEDUCATION OF ARIZONA

by MTWorks Artistic Director David Stallings

directed by MTWorks Resident Director Cristina Alicea

A satirical comedy that dissects the trickled down effect of Gov. Jan Brewer’s immigration bill in Arizona.

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Thursday, February 3rd at 8:30pm
The Aronow Theater (First Floor)

SKIN AND BONE

by Jacqueline Goldfinger (Pennsylvania)

directed by Dev Bondarin

A cannibalistic dark comedy about aging, set in a cozy B&B in the South.


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The National Newborn Festival: Celebrating Emerging Playwrights In Style

by Diánna Martin on January 28, 2011

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The National Newborn Festival has become, over the last four years, one of the premiere playwriting festivals in the country for emerging playwrights. A flagship program created and produced by MTWorks, an ever-growing, non-profit theatre company, Newborn allows playwrights to have a work never produced in New York be read in a festival setting.

Free and open to the public, this year’s festival is being sponsored by The City College of New York’s Psychology Club & Department and begins Thursday, February 3rd, and runs through Sunday, February 6th. This year we are showcasing the works of Duncan Pflaster, Rich Rubin, Marilynn Barner Anselmi, Riti Sachdeva, and Jacqueline Goldfinger.

David Stallings

David Stallings

The festival will kick off the first night with the reading of The ReEducation of Arizona by MTWorks’ Artistic Director and resident playwright David Stallings, and end the final evening with the Audience Favorite Award ceremony and a raffle, as well as an extra reading of the winning play. For 2011, in addition to the Audience Favorite Award which is selected by those who attend the readings, the MTWorks Board of Directors is presenting the first annual Excellence in Playwriting Award, to be announced prior to the festival.

I have directed a reading in the last two Newborn Festivals, and will be acting in this year’s, so I’m very excited about this brainchild that MTWorks has created…one that encourages playwrights, directors, and actors to come together and celebrate the artistic process. I asked the playwrights to talk a little bit about their work and their thoughts on said process.

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Ever Seen A “NewBorn” Play? (Part 1)

by Antonio Miniño on January 13, 2010

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Developed 3 years ago, The National NewBorn Festival is the flagship program of a non-profit theater company very dear to me, Maieutic Theatre Works; or as we like to call it MTWorks – that way we don’t have to get into the whole “Maieutic is pronounced /meɪˈjuːtɪks/”.

New plays that have yet to receive a New York production are read in a festival setting and free to the general public from Thursday, January 21st through Sunday, January 24th. This year we are showcasing new plays by Barrie Kreinik, Jacqueline Goldfinger, Carol Carpenter, Gwydion Suilebhan and Cody Daigle.

The audience also gets to pick and vote for the recipient of the Audience Favorite Award. The winner receives a second reading on Sunday night after the resident reading of A Song for St. Michael’s by one of the NewBorn creators and Artistic Director of MTWorks, David Stallings.

What I appreciate about festivals is the networking opportunities it creates for dramatists, actors, directors and companies.  This week I asked all 6 dramatists some questions about their work and inspirations.

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“The Oath” Will Have You Testifying

by Karen Tortora-Lee on April 28, 2009

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Take The Oath

Take The Oath

Take a preacher looking for a flock, a flock looking for a preacher, one “Good” sister, one “Bad” sister, a snooty churchwoman trying to bring down a house of cards and a housekeeper who’d give Alice a run for her money, set it all in the dry, hot Dust Bowl of Depression-Era Florida and you’ve only just begun to scratch the surface of Jacqueline Goldfinger’s magnificent The Oath, directed by Cristina Alicea and currently running at The Arclight Theater till May 10th.

Before the play even starts, sound designer Martha Goode and scenic designer Blair Mielnik do an amazing job of settling you into the time period as well as the underlying good ole Christian spirit by playing songs like I’ll Fly Away while you get to study the beautifully detailed and marvelously evocative set design which gets it perfect, right down to the old icebox and wooden framed forced perspective hallway.

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