The Happiest Medium

The 2012 National Newborn Festival Is Almost Here!

by Karen Tortora-Lee on January 31, 2012

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As part of the Board of Directors of MTWorks I’m really proud to be involved with the National Newborn Festival. Part of my job was to help choose the Excellence in Playwriting Award (see below for the winner!) and this year I’ll be introducing one of the plays — but I won’t tell you which one!  You’ll just have to come join me at the festival.

So what is Newborn?

Now on its sixth year, The National NewBorn Festival is MTWorks playwriting competition and flagship program created to find talented emerging playwrights from across the US, introduce their work to the New York community, and open new doors to regional voices.

READINGS ARE FREE AND OPEN TO THE PUBLIC

TO RESERVE YOUR SEATS CLICK HERE
(OR VISIT http://tinyurl.com/72h4jfw)

February 2-4, 2012
The City College of New York (map)
North Academic Center, 160 Convent Avenue  New York, NY
First Floor Lecture Hall (1/202)

THE 2012 PLAYS & SCHEDULE

 

Thursday, February 2nd at 7pm

The Tragedy of Dandelion by Duncan Pflaster, directed by Leah Bonvissuto, produced by Jessica Thornhill.

The Tragedy of Dandelion follows a Princess named Dandelion, who attempts to escape, by dressing as a boy, a forced marriage to Ratliff, a man who raped and impregnated her. She collaborates with Prince Crispin, son of Queen Alice, telling him that the baby is his, to gain a place in that kingdom and while waiting in the Queen’s orchard, meets the Queen’s daughter, Princess Cèlie, and shares a kiss with her. She gains a place in Alice’s kingdom, till Ratliff and her father King Stephano, come to Alice’s palace and point out that Dandelion is a female, and drag her away. A new lesbian verse play by Duncan Pflaster.

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Women’s History Month: Celebrating Women In The Arts – Spotlight On Dev Bondarin

by Karen Tortora-Lee on March 26, 2011

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Women's History Month

These women of the arts hail from different disciplines, but they all have an indomitable spirit and a luminescent spark that makes them amazing human beings who are out there every day, doing amazing work.

Today we continue our series with Dev Bondarin.

Like so many dedicated theatre women whose role is behind the scenes (rather than on the stage) I met director Dev Bondarin’s work long before I actually met Dev. It’s an interesting thing to meet a person via her work, especially when she’s a director … Because while her voice is all over the production, if she’s done her job right you walk away unable to separate her out from what you just saw.  Sure, you may say “that was an amazing play” but unless you’re finely in synch with all the moving parts that make up a theatre piece you may never understand why you feel that way.  And so, its important that I give particular accolades to Dev today – because she’s so often interpreting other’s words … and I’ve been looking forward to hearing her own words for a while now.

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Women’s History Month: Celebrating Women In The Arts – Spotlight On Alex Bond

by Karen Tortora-Lee on March 14, 2011

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Women's History Month

These women of the arts hail from different disciplines, but they all have an indomitable spirit and a luminescent spark that makes them amazing human beings who are out there every day, doing amazing work.

Today we continue our series with Alex Bond – a woman I’ve had the pleasure to experience in many ways – as an actress, a singer and most fortunately, as a friend. When I sent Alex a few questions for this Q&A Ms. Bond – being the storyteller that she is – sent back a history that only she could write.  ”Dear Karen,” she began, “as always, you bring up a hot topic which elicits brutal honesty.  Here we go…”   Here we go, indeed —

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The National Newborn Festival: Celebrating Emerging Playwrights In Style

by Diánna Martin on January 28, 2011

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The National Newborn Festival has become, over the last four years, one of the premiere playwriting festivals in the country for emerging playwrights. A flagship program created and produced by MTWorks, an ever-growing, non-profit theatre company, Newborn allows playwrights to have a work never produced in New York be read in a festival setting.

Free and open to the public, this year’s festival is being sponsored by The City College of New York’s Psychology Club & Department and begins Thursday, February 3rd, and runs through Sunday, February 6th. This year we are showcasing the works of Duncan Pflaster, Rich Rubin, Marilynn Barner Anselmi, Riti Sachdeva, and Jacqueline Goldfinger.

David Stallings

David Stallings

The festival will kick off the first night with the reading of The ReEducation of Arizona by MTWorks’ Artistic Director and resident playwright David Stallings, and end the final evening with the Audience Favorite Award ceremony and a raffle, as well as an extra reading of the winning play. For 2011, in addition to the Audience Favorite Award which is selected by those who attend the readings, the MTWorks Board of Directors is presenting the first annual Excellence in Playwriting Award, to be announced prior to the festival.

I have directed a reading in the last two Newborn Festivals, and will be acting in this year’s, so I’m very excited about this brainchild that MTWorks has created…one that encourages playwrights, directors, and actors to come together and celebrate the artistic process. I asked the playwrights to talk a little bit about their work and their thoughts on said process.

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Last Looks At The Happiest Medium In 3-D – Pull Your Glasses Out

by Stephen Tortora-Lee on November 21, 2010

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happiest party

For those of you who attended the Happiest Medium’s 1st Anniversary Party (in 3-D) you may have seen these slide shows already. They feature the great performers we had there, and some of their upcoming projects. Here is the main slide show with the normal as well as 3-D-ified images that will jump out at you if you look at them with ChromaDepth 3-D glasses.

And let me thank all our performers and sponsors one last time -

Ahmond, Monica Bauer, Charites, John Fico, Jeff Grow, Paolo Javier, Kampfire PR, Kill the Band, MTWorks, Karen Tortora-Lee, and  Franca Vercelloni,

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Planet Connections Q&A: Good Lonely People

by Diánna Martin on June 8, 2010

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PC_logo

Planet Connections Theatre Festivity is New York City’s premiere eco-friendly theatre festival, connecting artists and audiences with diverse dynamic charitable organizations. The Planet Connections experience entertains, enlightens and informs.

This Summer I was quite fortunate to be able to direct a play for one of my favorite theatre companies, MTWorks, who hired me to direct Carol Carpenter’s Good Lonely People for the Planet Connections Theatre Festivity. It was such an honor to work on this important piece for MTWorks, of which I am a company member. I was also delighted to be a part of Planet Connections’ quest to bring awareness to our environment and give back to the community.

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Win Tickets To Barrier Island

by The Happiest Medium on April 14, 2010

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Keep reading for a chance to win tickets . . .

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Ever Seen A “NewBorn” Play? (Part 1)

by Antonio Miniño on January 13, 2010

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Developed 3 years ago, The National NewBorn Festival is the flagship program of a non-profit theater company very dear to me, Maieutic Theatre Works; or as we like to call it MTWorks – that way we don’t have to get into the whole “Maieutic is pronounced /meɪˈjuːtɪks/”.

New plays that have yet to receive a New York production are read in a festival setting and free to the general public from Thursday, January 21st through Sunday, January 24th. This year we are showcasing new plays by Barrie Kreinik, Jacqueline Goldfinger, Carol Carpenter, Gwydion Suilebhan and Cody Daigle.

The audience also gets to pick and vote for the recipient of the Audience Favorite Award. The winner receives a second reading on Sunday night after the resident reading of A Song for St. Michael’s by one of the NewBorn creators and Artistic Director of MTWorks, David Stallings.

What I appreciate about festivals is the networking opportunities it creates for dramatists, actors, directors and companies.  This week I asked all 6 dramatists some questions about their work and inspirations.

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Jumping Into The Fringe with Daniel McCoy (Fringe Festival 2009)

by Karen Tortora-Lee on August 1, 2009

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New York Fringe Festival 2009

New York Fringe Festival 2009

Unless you’ve been living outside of New York City for the last decade or so, chances are you’ve either attended a Fringe show yourself, or you’ve at least heard about the festival.  ”Fringe”, of course, means The New York International Fringe Festival and it is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues.  It kicks off in just two weeks on August 14th, so right now everyone involved is  getting their act together, so to speak, and preparing for Opening Night.

One very special show which will be featured this year at the Fringe Festival is Eli and Cheryl Jump, a poetic, haunting play written by Daniel McCoy.  I got a chance to chat with Daniel and find out what it’s like to be part of the Fringe, what sparked him to write this play, and what he hopes it will mean to the audience.

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“The Oath” Will Have You Testifying

by Karen Tortora-Lee on April 28, 2009

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Take The Oath

Take The Oath

Take a preacher looking for a flock, a flock looking for a preacher, one “Good” sister, one “Bad” sister, a snooty churchwoman trying to bring down a house of cards and a housekeeper who’d give Alice a run for her money, set it all in the dry, hot Dust Bowl of Depression-Era Florida and you’ve only just begun to scratch the surface of Jacqueline Goldfinger’s magnificent The Oath, directed by Cristina Alicea and currently running at The Arclight Theater till May 10th.

Before the play even starts, sound designer Martha Goode and scenic designer Blair Mielnik do an amazing job of settling you into the time period as well as the underlying good ole Christian spirit by playing songs like I’ll Fly Away while you get to study the beautifully detailed and marvelously evocative set design which gets it perfect, right down to the old icebox and wooden framed forced perspective hallway.

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