The Happiest Medium

59 Reasons To Catch The Body Politic At 59E59

by Antonio Miniño on March 6, 2011

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The Body Politic at 59E59

The Body Politic at 59E59

We asked the producers of The Body Politic at 59E59 to entice us in 59 words to check out their last performance today.
The Off-Broadway debut of At Hand Theatre Company has received some great mentions and satisfied audience members. They think The Happiest Medium readers would like it because:

The number one reason you should see The Body Politic is because it is a fun, clever, romantic comedy. The second big reason is because it closes on Sunday, March 6th! The third reason you should check it out is to see the amazing cast of Matt Boston, Eve Danzeisen, Brian Dykstra, Daren Kelly, Michael Puzzo and Leslie Hendrix!

Final performance Sunday, March 6th at 3:15pm
59 East 59th Theaters are located at 59 East 59th Street, New York, NY
Tickets $35.00 (59E59 Members $24.50)

BUY TICKETS
IN PERSON: 59E59 Theaters Box Office
59 East 59th Street (betw. Park & Madison)
BY PHONE: 212-279-4200
ONLINE: www.59E59.org
59E59 Member E:Line 212-753-5959 ext. 104

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Posted in Off-Broadway and Theatre and Thoughts on Theatre .


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Theatre Review- Embraceable Me

by Antonio Miniño on October 30, 2009

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Victor L. Cahn’s new play Embraceable Me at Theatre Row’s Kirk Theatre is attempting to be a tennis match of the sexes where Allison (Keira Naughton) is your egocentric, focused, determined woman, whilst Edward (Scott Barrow) is shy, mousy, and amazing at what he does, which Allison uses to further herself during college and ever after. You wouldn’t think these two would develop a romance together, but they do. And what could have been a flavorful “who would have thought” love story, never catches our fancy due to the underdevelopment of these characters. There is no indication as to why these two belong together.

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Posted in Manhattan and Off-Broadway and Review and Theatre .


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Angel Eaters Trilogy – A Three Course Meal

by Karen Tortora-Lee on November 20, 2008

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My husband’s home town in Michigan is so small that, to them, the word “theatre” is 1) spelled “theater” and 2) always preceded by the word “movie”. And if you want to get to that “movie theater” you’ll need a car — because the closest one is 13 miles away in the next town over. Growing up, if he wanted a theatre experience of ANY kind he needed to head to Chicago.

Meanwhile, New York is so rife with theatre space that you can’t go to a Starbuck’s without being within a stone’s throw of one. Heck … there’s one in the building where I work. There was even a theatre connected to the restaurant I had dinner in last night. If you climb on any mailbox and squint, you can see independent theatre going on everywhere in New York.

I’m particularly fond of theatre companies who put on well crafted plays written by up and coming writers. Johnna Adam’s Angel Eater’s Trilogy is just such a work, and FLUX Theatre Ensemble is just such a company.

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Posted in Interview and Manhattan and Off-Off-Broadway and Review and Theatre .


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