by Karen Tortora-Lee on November 12, 2009
Scott Raker (Tim Riordan) and Peter Sabri (Luke DeLuca), photo credit: Antonio Minino
It’s hard to isolate one simple element of James L. Larocca’s Penang (directed by Donya K. Washington) and point to it as the central theme. Penang unfolds a bit like an autopsy – it is an even, measured, calculated dissection of the life of Tim Riordan (Scott Raker) and an inspection of the elements which led him to do the unthinkable just moments before he was to leave Vietnam and go home.
While Penang starts off as a war story, it evolves into something more. It’s also a buddy story and at times it has the emotional bonding of a male Thelma and Louise … but of course, again, it’s more. It is a tale of survivor’s guilt, it’s a grown up Stand By Me, it’s a psychological investigation, it’s a bit of a mystery, but above all, it is a deeply moving story about one man’s personal journey as he explores his relationship with his faith, his country, his friends, and (most importantly) with himself. Nothing about Penang is easy to distill or explain – except the fact that this is a brilliant, moving production which brought me to tears, gave me chills, and exposed a layer of male bonding that I don’t often get to witness.
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by Diánna Martin on November 8, 2009
Peter Sabri
Ah, New York is not as big a place as one would think. At least not when it comes to theatre – sometimes, you can meet interesting actors, directors, and producers by walking across the hall in your building.
My neighbor and dear friend asked me to join him for an evening of theatre sometime last year. “My nephew is in this great play – you should meet him, he’s into theatre like you!” he said happily. Little did I know that my friend (who’s name is also Peter – I wonder how many of them are in the clan) was taking me to a wonderful staged reading of Visiting Mr. Green starring Eli Wallach and Peter Sabri…his nephew. As I watched this young man share the stage with one of the most legendary actors of the 20th century, I was impressed with his work and his craft; he made interesting choices, was a joy to watch and the reading was beautiful, heartfelt and heartbreaking.
Upon hearing he was in Penang, a war drama by James L. Larocca, I was thrilled to see him working again, amused by the “Wow, it’s a small world” thought that went through my head, and eager to talk to Peter about his experiences working on this show that earned him a nomination at the 2008 Midtown International Theatre Festival, one of five that the show received. Now, brought back by Madison Street and Boo-Arts Productions, he has a chance to work again on a piece that is an intense drama whose tagline is: In war the only thing that matters is the guy next to you.
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