by Geoffrey Paddy Johnson on August 26, 2011
At the conclusion of Yael Rasooly‘s one woman “paper and object theater” performance, Paper Cut, the small stage at CSV Kabayitos is littered with piles of crumpled, shorn and torn paper props. This destruction is testament to the intensive, energetic and exhaustive show the actress has just presented in the past fifty minutes. It moves at a cracking pace as Rasooly acts, sings, animates, and shreds her way through a romance, set some time in the 1940s, about a solitary, put-upon secretary, who keeps one foot firmly in an escapist dreamworld. Well, maybe more than one foot. Continue Reading…
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by Karen Tortora-Lee on February 25, 2009
Gosh, it’s cold outside. Like, tried-to-dial-my-cell-phone-so-took-off-my-glove-and-immediately-regretted-it-because-my-fingers-froze-into-a-claw type of cold. But does it have to be frigid inside too?
According to this festival … yes it does! With January ’09 having the sad distinction of being the month that saw the close of such long running hits as Hairspray, Spamalot and Spring Awakening, as well as other fine productions (such as All My Sons, Boeing-Boeing, Dividing The Estate, Grease, Gypsy, and Young Frankenstein), 2009 is already turning into a sorry year for Broadway. But don’t let it get you down! Go catch one or two or five of these great shows at any or all of these cozy theatres: The Kraine Theatre, The Red Room or Under St. Marks. (And yes, I used “cozy” euphemistically the way those people do when they’re trying to get you to rent their “cozy extra bedroom” … come on, folks it’s obviously a closet!).
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