by Karen Tortora-Lee on March 26, 2012
You’ve read part one. You clamored for another round! What could be more fun that sitting in on a conversation between me and brilliant playwright Larry Kunofsky as we discuss the road that led to his upcoming production of Your Boyfriend May Be Imaginary?
Last time Larry explained how everyone has an imaginary component (in a way) … and he explained how his main character, Marci, spends a Saturday evening running from party to party in New York City looking for the man she’s dating — only to discover she possibly didn’t know him as well as she thought she did. We also got into what lies at the heart of Larry’s writing. Good stuff!
Today we’re talking about how Larry and The Management came to partner up for Your Boyfriend May Be Imaginary, Larry references Tolstoy AND Voltaire (in the same answer!) and gives us a little taste of what your dinner conversation will be like after you see his play. So, grab your drink, settle in, and enjoy … Larry Kunofsky, Part 2:
Let’s talk for a minute about finding the right company to produce your work. Your Boyfriend May Be Imaginary is being produced by The Management. What are some of the great things about having another company produce your work as opposed to doing it through your own company, Purple Rep?
Well don’t get me wrong, I am committed to Purple Rep and have grown to love producing, even though I know that I’m not anywhere near the kind of producer that I want to become just yet. But having someone else produce my play – which is something that hasn’t happened in a while on my own home turf here in NYC – that ROCKS!
I feels so decadent! I can be Just The Playwright! I feel like a Roman Emperor! Where are the slave girls to dangle grapes over my gaping mouth?!
And if you knew The Management’s budget, you’d be laughing at me here, not with me (which you might have been doing already). This is not a decadent company. They are workers, and they have a guerrilla approach to doing more with less (in terms of budget, at least), and this is inspiring to me. When Purple Rep grows up, I want it to be just like The Management. But also different.
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by Karen Tortora-Lee on March 14, 2012
You may think my life is all about going to shows, sitting in the dark, absorbing — going back home … writing reviews. It is NOT. My life is about highlighting, showcasing and celebrating the talented people of the independent entertainment world that I am lucky enough to experience. I only know how to do that one way: by knowing their work first, and then – if it works out – by meeting them for interviews, then seeing them socially … then interviewing them again. It helps when I can know the artist from the inside out – Know Them: Know Their Work. In turn: Know Their Work … Understand How To Distill It To An Audience. Voila - suddenly it’s all second nature.
Larry Kunofsky and I started out like any playwright/reviewer. But we soon learned that we had a lot to say to each other. A LOT. Larry is many things: a playwright, a thinker, a brilliant man. He’s as much an interviewer as an interviewee, and that’s what makes for a good give and take. In a few weeks The Management Theater Company will be doing his play Your Boyfriend May Be Imaginary. I had a lot to ask him. He had a lot to tell me. As a result I ended up with a two parter – and so did you, lucky reader. So, grab a drink and get ready to find out why New York City on a Saturday Night can be like falling down the rabbit hole, read why every relationship has an imaginary component to it, and, if Feist gets mentioned, play some of her music as you read. That’s what the link is for.
Love the title: Your Boyfriend May Be Imaginary.
Larry Kunofsky: Thanks, Karen. I won’t deny it, some of my titles are pretty nifty. I’ll let people like you speak to the merits of the plays themselves, but I hope that you and your readers will indulge me my little self-back-patting when it comes to Title-Pride.
If a play is sex, then a good title is foreplay. And if giving good foreplay is my legacy, I’ll accept my lot in life.
And we’re off!
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by 4 Cents Reviews on December 13, 2011
4 Cents Review – When 2 reviewers each give their 2 cents.
Today, The Happiest Medium offers a 4 cents review of The Myths We Need -Or- How To Begin. Read on as Karen Tortora-Lee and Michelle Augello-Page each give their two cents on this exciting production by Purple Repertory Theater!
Michelle: The Myths We Need -Or- How To Begin is a contemporary retelling of the story of Adam and Eve. Written by Larry Kunofsky and directed by Jose Zayas, the play offers a unique, symbolic, and provocative look at this biblical story of original sin, and how man and woman were cast from the garden of Eden and into the world.
The garden of Eden in this play is set in no specific place, but appears to be a rural work-farm. The stage set is the inside of the worker’s living quarters, and each scene takes place in some form of darkness. Low burning lanterns on either side of the stage are subtle and cleverly utilized to illuminate the stage and indicate the passage of time. Sound is also employed to provide context and setting as each scene breaks into the next.
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by Karen Tortora-Lee on September 14, 2011
Lauren Hennessy (photo by Cathryn Lynne / WWW.CATHRYNLYNNEPHOTO.COM)
It’s no secret that Mariah MacCarthy’s beautiful Ampersand: A Romeo & Juliet Story struck a deep chord with me; I loved so many things about it. For me it was one of the highlights of this season’s Fringe Festival. So when the wonderful Lauren Hennessy was the recipient of an award for overall excellence for her work as Romeo I was thrilled that this talented woman was being recognized for her remarkable skills as not only an actress but as an overall performer. In MacCarthy’s Ampersand Romeo is a rock singer with a devoted following … and the minute Hennessy takes the stage there’s no doubt in anyone’s mind that she’s got the goods to pull it off.
The Fringe dust has settled, and I was able to chat with Lauren to find out how much of Romeo is really Lauren, how she feels about working with the talent Mariah MacCarthy … and just which role she’d love to play if anything were possible. Read on …
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by Karen Tortora-Lee on April 17, 2011
There are so many ways that the notion of gender can be fucked with (or – to continue a theme “f*cked” with) that the idea of throwing it all up there on the stage and cabareting the hell out of is an appealing one. Mariah MacCarthy’s The All-American Genderf*ck Cabaret (directed by Heidi Handelsman) takes a whole lotta gender and then, indeed, fucks with it like crazy.
All the stereotypes are there in full force: as Ms. MacCarthy put it in her interview with me earlier this month “a Feminine Woman, a Feminine Man, a Masculine Woman, a Masculine Man, a Gay Woman, a Gay Man, a Promiscuous Woman, and a Promiscuous Man. Which translates roughly into Girly Girl, Nice Guy/Metrosexual, Tomboy, Meathead, Feminist Lesbian, Gay Best Friend, Slut, and Player.” However, even though these labels are slapped onto the envelopes of these characters, they are soon peeled away with just as much intention. So, just when you think you know what’s what you’ll find that the tough girl, Devon, (Lauren Hennessy) is actually not a lesbian (what?) - she’s just a tomboy. And that sweet guy, Benji (Jordan Tierney)? No, he is not gay (huh?). He’s actually very straight – and the best lover his (promiscuous girlfriend) Gwen (Catherine LeFrere) has ever had. Meanwhile the mouthy guy, Dick (Jamahl Garrison-Lowe) who talks the talk doesn’t walk the walk at all. He’s a (gasp) virgin and would rather talk to his toddler nephew than seriously pursue a woman. But you’d never know it from the way he throws out statistics of his romantic conquests.
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by Karen Tortora-Lee on April 14, 2011
Meet Simon and Kim – passionate. About their cause (we’ll get to that in a moment), about each other (when we meet them they’re taking a cozy bath together) and about their work which (currently) is a documentary film they’re shooting called The Un-Marrying Project. As it stands, this play IS the film. Or is it the other way around?
So passionate are they about their work, their relationship and their cause that it all blends together for them in one big ball of “Here we are! Simon and Kim!” (Exclaimed in unison, no less. Well … after some practice). They’re so deeply connected that they even have joint panic attacks. (Awwww – cute). But is all this passion enough to get them through their act of civil disobedience – The Un-Marrying Project: documenting the process of several married couples who willingly get un-married (yes, also known as divorced) in the name of protest … living apart until ALL people can be married EVERYWHERE? In other words … they’ve decided that until Gay Marriage is legal, no marriage should be valid and several brave couples are taking up the cause, allowing their journey to be filmed. So here’s the question … can they all stay committed to the cause? To the film? To each other? Is their committment as strong as their passion?
In The Un-Marrying Project writer Larry Kunofsky has taken a controversial matter and then turned it inside out. This is no easy topic and Kunofsky doesn’t gloss over any of it. With the overarching premise being that we’re watching two documentary film makers (Documentarians!) create a record for posterity, we gain access into nooks of participants lives in ways that perhaps they wouldn’t be so quick to divulge.
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by Karen Tortora-Lee on April 4, 2011
Gay Plays for Straight People (and also gay people) is comprised of two plays which will play in rep brought to you by the new theatre company Purple Rep founded by playwrights Larry Kunofsky and Mariah MacCarthy. The plays - Kunofsky’s The Un-Marrying Project and MacCarthy’s The All-American Genderf*ck Cabaret – will run from April 8-30 at The Paradise Factory (64 East 4th Street between 2nd Ave and Bowery).
Larry and Mariah took some time to answer my questions and give me some straight answers (and also some not-just-straight answers) about what they’re passionate about, how they explore the fuckupedness of both genders, what it means, exactly, to be “un-married”, and how they intend to keep blending it all up in an effort to keep it Purple. Read on …
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by Karen Tortora-Lee on March 21, 2011
These women of the arts hail from different disciplines, but they all have an indomitable spirit and a luminescent spark that makes them amazing human beings who are out there every day, doing amazing work.
Today we continue our series with Emily Owens. Without exaggeration I can say that Emily paved the way for making The Happiest Medium what it is today. Way back in 2008 when I was a fledgling reviewer and still trying to figure out how to fill a weekly column quota (for another site) publicist Emily Owens contacted me about some shows she was representing. I was new to it all and eagerly accepted every show that she sent my way. ”Just you wait,” my husband (and the co-founder of The Happiest Medium) said, “One day you’ll be getting so many offers from so many publicists that you’ll be turning them away!” I couldn’t imagine what that would feel like.
Well, here we are, two and a half years later and I’m proud to say that Emily Owens and I continue to enjoy a very successful business relationship to this very day. And, Stephen was right – these days THM gets so many offers to review shows that we have to be very choosy with what we follow up on. I’m grateful … but overworked and overwhelmed at times by the amount of shows that are happening in Manhattan. Having a relationship with a someone like Emily — a publicist I can trust – ensures that The Happiest Medium is always covering the best, newest, and greatest of what’s out there. Emily has been critical in getting me together with some of my very favorite people in this industry, and – I’ll say it again – I wouldn’t be where I am if I hadn’t begun reviewing shows repped by Emily Owens. Most recently, as the publicist for the Frigid New York Festival 2011, she made it possible for The Happiest Medium to become a Media Sponsor and the relationships we were able to build during that festival were invaluable. Never mind just plain fun!
I’m in awe of her energy, her intuition and her connections. And I thank her from the bottom of my heart for what she does not only for me, but for all the talented people who count on her to publicise them the right way, every day. Now let’s hear her story …
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