by Karen Tortora-Lee on August 20, 2010
Carl Andress
One of the first interviews I ever did as an “official” theatre reviewer was with Carl Andress who was not only charming and lovely but also heaps of fun to chat with. Back then he was directing Charles Busch and Kathleen Turner in The Third Story which was a show that highlighted the talent of everyone involved. I have nothing but enormous respect for Carl as a director.
Well, I’m happy that I have another reason to interview this wonderful gentleman because Carl Andress is at it again, teaming up with Charles Busch to do The Divine Sister. We recently sat down to talk about the fun of doing an homage to some of Hollywood’s best nuns, and the great actresses who played them.
Along the way, Carl also explains what it’s like to do theatre for the pure joy of it, he give some advice to the Fringe crowd on the smartest way to get a show produced these days, and he enlightens me about a simple little device that has changed his life . . .
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by Karen Tortora-Lee on February 23, 2009
When it comes to the theatre, Carl Andress was practically weaned First Row, Center; he’s been writing, acting, and directing for as long as he can remember, and it’s always been his passion. He got his start years ago when … well, I’ll let him tell you all about that. His latest directorial offering The Third Story stars Kathleen Turner and Charles Busch and is currently running through March 15th at the The Lucille Lortel Theatre. Carl took some time to chat with me about the play, what it’s been like collaborating with Charles Busch over the years, and how his career in theatre began.
KT: Hi Carl, thanks so much for taking some time to talk with me. I’m really excited to be able to chat with you about The Third Story … it sounds like a wild ride – “Gangster flicks, fairy tales, and B-movie sci-fi collide in this epic comic fable from the imagination of Charles Busch“. PLUS it also stars the amazing Kathleen Turner. How did it all happen?
CA: I guess it was around 2007 when Charles Busch was commissioned to write a play for the La Jolla Playhouse (LJP). He gave it to me to read first and I fell in love with it immediately. The La Jolla Playhouse is a very successfully non-profit theatre out in San Diego … a lot of great theatre has come out of there; it’s been in existence since the 50s. More recently, shows like Big River and the revival of How to Succeed in Business …, Tommy, and Jersey Boys started there. They do a lot of new work, new plays and big musicals. And they sometimes commission works, just like they commissioned Charles.
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