Acts of Love is a five act play, each act self contained and delivering a message of a type of love – be it romantic, familial, waning or budding.  Each of the five short plays illuminates love in the form of friendship, tentative romance, sibling tension or internal monologue.  Everyone is here: the human and super-human, the real and hyper real, the ones who fit in and the ones who stand out.  Acts of Love presents it all in an effort to leave no stone unturned to get to that crazy thing that drives us all.

The five shorts are written by either Gabrielle Fox or Mark Jason Williams and each act gives the audience an opportunity to either laugh, smile, cringe, or nod in recognition.  Written with warmth and sweetness, each play contains a nugget of truth that resonates with the watcher and invites you to examine your own connections.

Goodbye Party (by Fox) features Mary Roberts and Misti Tindiglia in a story about the meek Adrianna (Roberts) who abruptly quits her job and is lingering at her goodbye party where the lone Samantha (Tindiglia) remains, cleaning up.  Samantha is that typical office mother; the one who’s been there forever and seems to be as much a part of the office as the walls and the furniture.  To the untrained eye – Adrianna’s eye, let’s say – this is her future: marry her job and become a stereotype.  But scratch the surface of that stereotype and you’ll find a wise sage.  Samantha proves to be more than just the 9-5 poster-woman, and as she pokes a little deeper she finds that Adrianna left her job in order to get a party – one that secretly doubles as a 30th birthday party.  However, seeing nothing but post-it notes and staplers in her future Adrianna is resolved to go home and quietly pack it in.  After all, looking at Samantha, and seeing her future, the road ahead seems bleak.  In a clear case of short-sightedness the young woman doesn’t see the richness and fullness of the beauty that awaits her.  Samantha becomes like  a coach giving the player that boost of confidence right before the game.  It’s the kind of conversation we’ve all either had at some point in our lives, or wish we had.  Ultimately Adrianna realizes that not everything is as bleak as it seems.

Smiles to Saturn (by Williams) is the message play of the night centering around two brothers, one with Asperger’s Sysdrome and one with resentment.  The “normal” brother is having a party and has relegated his non-party-worthy brother to the basement where he can be content to play his games and sit in his jammies.  In a burst of magical realism a pop-up ad (Miss Sparkles) comes to life and gives the kid a pep talk about how to woo women.  When a gal from the party comes wandering into the basement feeling dejected she finds the company much more to her liking down there and with the (of course invisible) Miss Sparkles giving Cyrano-like prompts it’s not so difficult for an awkward but charming conversation to bubble up.  The theme here is that while it may not be a walk in the park dealing with someone who thinks differently and whose actions are difficult to predict, we’re all awkward and unpredictable in our own way and frankly all of us need to be treated specially and specifically.  And who couldn’t use a Miss Sparkles on our shoulder giving us some advice from time to time?

It is when Midnight Musings (by Williams who also directed the piece) arrives that the night is moved to a whole other level. While the plot is nothing more than the title implies, the story, the acting, the direction – everything about this little gem is perfect. Beautifully acted by Margie Ferris and Thom Christensen Musings is the story of Caroline and her string of hard-luck love stories. Having just come back from a date set up by “a friend” (well, OK Cupid) she notes how first dates are really akin to interviews. Rapid fire she reels off her history – her failed affairs, broken moments, near misses, tragic mistakes, sad rejoinders. Christensen gamely moves from scene to scene and takes on the personae of this crowd of Caroline’s men who loved her and left her, convincingly rotating personalities with as much assertion as Ferris who anchors down the lonely Caroline. Direction is fast, but not rushed, and the piece is a tumble of memories which pour fourth exactly the way anyone’s will after a bad date and a life of defeated romance.  While the piece doesn’t end happily it does end satisfyingly with a hopeful ellipse for the likable Caroline.

Quick on the heels of this comes a similar tale of a woman who is ready to TKO love; Darcy & Duke (penned by Fox) offers us a woman who is loathe to every note of any love song because of the false promise it hold out. Sitting behind her desk she meets the carefree and likable delivery man, Duke who aims to cajole her out of her defensive attitude and distrustful demeanor. Despite her skittishness Duke finds her likeable enough and talks her into giving love a second look. David Berman is charming as the amiable-everyman who won’t take ‘no’ for an answer and Kathleen Boddington does a fine job of portraying a hopeful woman hidden beneath a veneer of frosty irritability.  While they may not make the perfect couple they have a shot at a few good dates — and sometimes that’s enough to get you to the next relationship.

The last piece of the evening drops the audience off in the afterlife as we witness The Reincarnation of Doe Doe (by Fox). This final act is a bit of whipped cream topping at the end of the evening; sweet and light. Doe Doe – “call me Coco” (Jess Erick) is simply in some mid-point post-existence stop chatting with a divine being named Max (Lorenzo Cambriell0). Part watcher, part gatekeeper, part concierge (part neighborhood gossip) Max seems to know all the moments of Doe Doe’s life and is there to encourage her to choose reincarnation at last and take another chance at living after the heartbreak of the journey she has just finished.  Also in this limbo lounge is Doreen (Misti Tindiglia) the proud mama of Doe Doe the doting mother in every way that both annoys Doe Doe and charms Max. As the story flows out we are given instagram snapshots of a relationship that needed to be seen from 360 in order to be better understood.  Hugs abound, a decision is made, and it all wraps up with a heavenly sigh.

Overall, the general theme that ties these shows together is that, for all its heart and heartbreak,  love is the main goal of life. While we come upon a number of roadblocks along the path to finding it, Acts of Love keeps driving home the fact that the biggest roadblock keeping us from finding any and every type of love is often ourselves.

~~~

 .

Related Posts:

• Acts Of Love – 5 Things To Know About The Show Before You Go (2012 Planet Connections Festivity)
• The Taint Of Equality Or, I Want Your Sex (2012 Planet Connections Festivity)
• The Empress of Sex (2012 Planet Connections Festivity)
• Pageant Princess – Music, Make-Up And Meltdowns (2012 Planet Connections Festivity)
• SAFE Is A Matter Of Perspective (2012 Planet Connections Festivity)

Acts Of Love 

Benefiting: The Arc

Produced by Mark Jason Williams and Gabrielle Fox

“Acts of Love make us laugh, smile, swoon, cry, feel insecure, and drive us crazy. This evening of short plays uncovers the humor, kindness and raw emotions we share with one another while finding romance in the office, revisiting the one that got away, exploring the afterlife, dealing with a disability, and beyond.”

Show Times:

• Thur 5/31/12 – 6:00pm
• Sun 6/3/12 – 4:00pm
• Wed 6/6/12 – 7:00pm
• Fri 6/8/12 – 4:30pm
• Thur 6/14/12 – 9:30pm
• Fri 6/22/12 – 8:00pm

Mark Jason Williams (Playwright) 

Karen Tortora-Lee’s Question
How did you come up with the title for your show?
Mark:  Gabrielle Fox, playwright of three shows in the evening, came up with the idea. We’re doing an evening of five short plays, all of which explore the drama and humor of love and personal relationships, particularly how people rely on empathy, kindness and support to get through a difficult situation, so the title seemed like a natural fit.

Diánna Martin’s Question
If you were going to invite 5 people (from the past or present) to see your show – who would you invite … and why?
Mark:   Tori Amos — I’ve written a lot of words to her music; Laura Linney — she’s one of my favorite actresses; Tennessee Williams and Arthur Miller–huge inspirations; Meryl Streep — who wouldn’t want to have Meryl Streep in their audience?

Antonio Minino’s Question
What is the biggest sacrifice you’ve made for your art and was it worth it?
Mark: Moving away from New York City. I quit my dumb day job and headed to the suburbs to save money and write full-time. I miss having 24-hour delis and seeing friends as often as I used to, but I’m a more evolved playwright now, and it’s been worth it for sure.

Geoffrey Paddy Johnson’s Question
Was there any unexpected discovery made during the development of this production and can you share it with us?
Mark:  It’s actually my first time directing one of my plays, and I was resistant at first, but I’ve discovered that I really enjoy. It’s really cool to be able to focus on the big picture and work with actors on a different level that I’m used to. A real eye-opening experience!

Michelle Augello-Page’s Question
What do you hope the audience receives from the experience of seeing this show?
Mark: One of the shows, Smiles to Saturn, features a character with Aspergers syndrome, so I’d love for people to walk away with a new understanding of how a person lives with a disability. But, overall, I hope that seeing our show helps an audience further understand and value their own personal relationships.

___

Planet Connections runs from May 30 – June 24 at The Bleecker Street Theater located at 45 Bleecker Street, New York, NY. To purchase tickets to this or any of the shows click here.

Related Posts:

• Acts Of Love (2012 Planet Connections Festivity)
• Bubby’s Shadow: Whose Shadow Is It? (2012 Planet Connections Festivity)
• The American Play (2012 Planet Connections Festivity)
• Scene/Unseen – 5 Things To Know About The Show Before You Go (2012 Planet Connections Festivity)
• Coyote On A Fence – FREE Staged Reading – 5 Things To Know About The Show Before You Go (2012 Planet Connections Festivity)

Planet Connections Theatre Festivity is New York City’s premiere eco-friendly theatre festival, connecting artists and audiences with diverse dynamic charitable organizations.

The Planet Connections experience entertains, enlightens and informs.

The Happiest Medium (proud sponsors of The Planet Connections Festival), continues the Q&A which we’ll be running every day until the festival begins on June 3rd.  We’ll highlight 2 different shows each day, so make sure to come back and check daily!

Today Anne Jordanova, Antonio Miniño, Diánna Martin, Karen Tortora-Lee, Sarah V. Schweig and Stephen Tortora-Lee all ask one question each of Erin Jividen, writer of Down The Rabbit Hole: A One Woman Musical and Mark Jason Williams, writer of Recovery.  These two shows both deal with some very heavy topics in ways that strive to leave the audience uplifted.  Let’s take a look . . .

Down The Rabbit Hole: A One Woman Musical

answers by Erin Jividen

Here’s Antonio’s question -

If you would have to single out a quality between dialogue, plot or character, which one is the strongest in your play/piece, and why?

I would have to say dialogue, mainly because the play is written entirely in Def Jam Poetry, Spoken Word and Verse, and so it’s a very unique way to approach theater and converse with the audience- as if they were having a conversation right out of a Dr. Seuss Book.

Here’s Karen’s question -

What has been the most surprising or unexpected thing that’s happened during this play? Did that wind up taking the play in a new direction?

I once was performing a song from the show and in the back booth and circuit exploded and started a fire. I could see my stage manager running around with a fire extinguisher trying to put out the fire, all the meanwhile- I kept on going. Luckily we didn’t loose power, and the audience never knew that there was a fire in the back booth!

Here’s Anne’s question -

What do you think is the central theme and reason this play was conceived?

I wanted to talk about some of the hardships and struggles that I’d gone through in my life, and represent a wide range of women’s “voices” to be heard. It sort of was like my own “therapy”… I finally let it all out and told the truth. Since then, the truth has set me free.

Here’s Stephen’s Question -

Why should the audience (we) go to your play? What will the audience learn about the “human condition” by going to your play?

Down The Rabbit Hole deals very closely with several topics that are all about the human condition, and yet does so in a artistic, creative and unique way. Just a few of the topics addressed are: Survival, Society’s Judgment, Eating Disorders, Forgiveness, Child Abuse, Suicide, Molestation, Transgender topics, and sexual discovery.

Here’s Sarah’s Question -

What is your favorite line from the play?

“A woman alone with a rabbit, is just as good as a woman alone with a man!”

Here’s Diánna’s Question -

What about this play do you feel most drawn to personally, and because of that, what message do you hope the audience walks away with?

The entire play is very personal because I wrote it from my experiences in life, and more importantly, my heart. Each character I play dives into a social topic that I personally dealt with, and which also relates to all women of all ages. They walk away feeling like they’ve gone on a journey, have dealt with some demons, and yet, still feel like, “Happily Ever After” really does exist.

* * *

Recovery

answers by Mark Jason Williams

Here’s Antonio’s question -

If you would have to single out a quality between dialogue, plot or character, which one is the strongest in your play/piece, and why?

Dialogue. It’s sharp, witty, engaging and helps to keep the play light, even with a subject as heavy as leukemia.

Here’s Karen’s question -

What has been the most surprising or unexpected thing that’s happened during this play? Did that wind up taking the play in a new direction?

I wrote a character of a nurse, who had a very small part was in her 50′s. Then we ended up casting someone much younger, who brought a totally different perspective to the character, and I was so fascinated by the idea of being young, yet having gone through the same kind of experiences (marriage, surviving cancer before you turn 30) that I wrote a much bigger role.

Here’s Anne’s question -

What do you think is the central theme and reason this play was conceived?

The play was inspired by my childhood experiences as a leukemia patient, something which I hardly talk about, but has always remained in the subtext of my life. The central theme is it’s never too late to start living, especially when faced with an uncertain future.

Here’s Stephen’s Question -

Why should the audience (we) go to your play? What will the audience learn about the “human condition” by going to your play?

The play takes a hard topic, leukemia, and makes it human, and easy to relate to. It’s poignant and compelling, without being sappy, and explores the human capacity for love under the most challenging circumstances. It’s a play about life and death, and one that puts the human condition to the test. I hope the audience will learn that it’s possible to have a sickness and still maintain one’s identity.

Here’s Sarah’s Question -

What is your favorite line from the play?

“So we know the ending? Big deal. I’m more concerned with finding our beginning.”

Here’s Dianna’s Question -

What about this play do you feel most drawn to personally, and because of that, what message do you hope the audience walks away with?

I’m drawn to the notion of exploring the human capacity of love and survival under the most challenging circumstances, and want the audience to walk away thinking hope does spring eternal, even if the outcome doesn’t seem that way. As a leukemia survivor, I thought it was important to tell an honest story of people with leukemia who share adventure and fall in love, and live, while facing an uncertain future.

Related Posts:

• For Body And Light (2014 Frigid New York Festival)
• Acts Of Love (2012 Planet Connections Festivity)
• Acts Of Love – 5 Things To Know About The Show Before You Go (2012 Planet Connections Festivity)
• Eminem And His Road To “Recovery”