The Happiest Medium » Magdalena Fox

2nd Season Mini Fridge – Tasty, Filling And Leaving Audience Wanting More! (Jun 28, 2012 – Jul 04, 2012 )

Karen Tortora-Lee — Sun, 15 Jul 2012 19:57:45 +0000

Additional reporting by Stephen Tortora-Lee

Mini Fridge was a qualified success this year, with seven shows and seven ways to beat the heat, be dazzled by a variety of entertainers and cross your fingers in the hopes that some of these great shows will be returning bigger, better and badder. Hopefully you read the Elevenses so you had your pre-show snack … and even more hopefully you caught some of the ‘fridge. But if you didn’t, here’s what was in that tiny box (besides beer of course!) —

Bare. Stripped down and honest, in your face and not making any excuses, Bare. was a riviting collaboration between paired teams of burlesque performers and seriously stimulating storytellers. The idea was to deliver stories which were uncomfortable for everyone – audience and performer alike. But sometimes what gets revealed in the uncomfortable moments is actually more familiar than we’d like to admit, and Bare. offered the unique opportunity to experience something difficult in the universally safe environment of theatre.

It was the juxtaposition of unveiling while weaving – taking away while creating – salty and sweet: the best use of your senses. The result was unconventional and groundbreaking. Issues included having sex for the first time, initial attraction to girls and one memorable performance which was the reenactment having a hymen broken. This was sensuality and strangeness … all living up to the straightforward title and leaving nothing hiding undercover.

The intention is for Bare. to go on from here; three more performances are in the works: September, November and capping off with a final show in December. For those interested in a REALLY different set of circumstances, the September show will feature a switch up: the burlesque performers will write the stories and the writers will strip down.

Curated and hosted by Peter Aguero this special Mini Fridge volume starred Adam Wade, Sarah Jenness, Diana Spechler, Magdalena Fox, Francine, Amelia Bareparts, and Mary Cyn as The Kraken.

Written by Alexis Roblan and Rachel Kerry, Bible Burlesque is what happens when your FRIGID show, Daughters of Lot, needs to raise money to get to the Edinburgh Fringe. Whereas Daughters of Lot was the story of the two bible gals told through the eyes of feminist burlesque performers, Bible Burlesque goes behind the scenes to tap into the funnier side of what goes into creating a show - especially one with a premise that tries to marry Bible with Burlesque.

“The events depicted in this show are real … at least the parts about fundraising” states the program … and so, without pulling any punches, begins the meta telling of this journey. Equal parts storytelling and burlesque (with maybe a little more storytelling) Roblan and Kerry are portrayed by Marelena Kalm and Victoria Longwell who re-enact the process of how one (or in this case, two) exactly go about creating a unique burlesque show built on biblical themes. Everything from a Noah’s Arc theme to “What if God F*cked one of us?” crossed thier minds and crossed the stage with often hilarious results.

The good news is that as of the time of the show they raised enough money for Daughters of Lot to get to Edinburgh … just not enough money for any of them to eat during their overseas stay. Let’s hope when they’re abroad they meet a dude who can work a miracle or two around some loaves and fishes. Hey, it worked once, right?

Bye Bye Bombay was full of the sights, sounds and personalities of India, all channeled through Gauri – a young woman who makes the trip to follow in her mother’s footsteps. Cara Yeates – who wrote and performed – channeled many different characters convincingly and used screen projections and a driving soundrack to bring the world of Bombay – and Bollywood – alive.

Most impressive among talents such as puppetry, mimicry and storytelling was the way Yeates performed a showstopping dance as she lip-synched to a dazzling Bollywood production number, bringing the lavish world of Bollywood to UNDER St. Marks. Yeates also notably embodied an arguing couple who fought with each other in one of the many languages spoken in India. When Ms. Yeates says she lived in India for a year, there’s no doubt about it.

By turns both forceful and delicate, Bye Bye Bombay was a true delight. As a New Yorker I thrilled to the fact that, through this one-woman-show, I was given confirmation that a place exists which appears to be crazier, more crowded, and more chaotic than New York. However, what India also appears to have is a plethora of spirituality and a means to find your center if only you can break away from the hypnotic Bollywood beat … something else which Ms. Yeates was able to capture and manifest beautifully. Bye Bye Bombay may be bye bye for now, but I’m hoping we have another chance to meet again soon.

A striking combination of futuristic noir, multimedia and music ranging from lounge to complex ambient initium/finis is a gripping story that pulls you through many layers of a world that represents – as the title implies – the beginning and the end, melding past with future.

Metropolis fans will find an echo of that world here. Ellery Royston embodies two clones who are experiencing two sides of a story which involves murder, intrigue and a journey toward self discovery in an alien future.

initium/finis was mezmerizing, with deep themes that were well executed with a stunning multimedia component which alone was worth the price of admission. It depicted an overlay of lush city scenes as well as short movies. These shorts captured Royston’s stunning range — for while she’s expressive on stage she’s even moreso in the filmed sequences.
Possibly most compelling were scenes executed in shadow play where much of the “real” action happened at times – the intrigue of this heightened version of the characters offered an extra note of theatricality and dimension.

Back after a successful FRIGID run, initium/finis shows that there seems to be no end in the near future for this deeply affecting story.

As usual Killy Mockstar Dwyer and her talented band delivered an inside-out performance – crowds who know and love KTB should know better than to expect run of the mill when it comes to this bunch! Kill the Band: Mock Bottom started off with a dark theatre – extremely so – as we’re all trapped in the darkness with Killy who gropes about and tries to figure out where she is.

Of course it’s a relief when she comes to find she was simply lost in a closet after a night of drunken debauchery right after recording Kill The Band’s new album, Mock Bottom.

Killy then launches into a strong opening performance which got the crowd pumping. What followed was 60 minutes of pure energy and frenetic joy delivered in typical Kill The Band style as Killy and her loyal (and seriously talented) musicians- Joe Yoga, Mike Milazzo, Blair Frowner and The Human Drum Machie- delivered one song after another that was both funny, thoughtful and catchy.

No simple concert, though, the songs were couched in the centeral theme of Killy at her shrink’s office with each of her band members representing one or more of the stages of grief. A monologue of the creative process would then seque into a Mock Bottom song.

And if you found yourself loving these catchy songs (which include favorites Ben Kingsley, Girl Balls, Clone U, See Something Say Something and Famous Baby) an album was included with the price of admission.

If you weren’t able make the show that doesn’t mean you have to be empty handed with no Kill The Band songs to sing – never that.

To order the hard copy CD (with 12 page art/lyrics/liner notes booklet!) visit www.KILLYTHEKID.com.
To buy the album on ITunes click here: http://itunes.apple.com/us/album/mock-bottom/id530564603.
To buy on Amazon http://amzn.com/B0086JZTHQ

Legendary: A Man-tasia was first described to me as a drag show without the drag, but Legendary: A Man-tasia wound up being much, much more. Sure, there was superb lip-synching with so much sass, attitude and choreography that at times it was impossible to sit still in your seat. But the story was expertly woven through the showstopping numbers – finely crafted to tug at your heartstrings. Not simply a backed-into plot to accomodate the songs, this story of two men: Larry (Michael Awusie) and his love Stev (Mark O’Connell) trying to define their relationship as they try to define themselves was heartwarming, bittersweet, loving, sexy, and a triumph. But oh, let’s talk about those lip-synch numbers!

Larry’s rendition of Sheree Whitfield’s – “Who Gon Check Me Boo?” was absolutely inspired (and I can’t stop YouTubing it. Not for the original, but in memory of Michael’s version). The show was filled with moments of pure, joyful production numbers like this. To watch O’Connell and Christopher Burris as Bishop Eddie Long (who has a naughty, nasty hold over Larry) duke it out in a battle with musical fireworks worthy of those spewed forth by Harry Potter and Voldermort as they channeled superdivas Whitney Houston & Aretha Franklin for “It Isn’t, It Wasn’t, It Ain’t Never Gonna Be” to underline the point that “he aint never, ever, never never, never gonna be your man” gave me goosebumps. In fact, it made me wanna go out and steal someone’s man just so I could re-enact this scene on my own. I mean … seriously boo.

Cap this all off with a stupendous Jennifer Holiday channeled by Kimberlee Walker who had me shaking and, well – could you want more? Oh … wait … a fantastic story. All this lucious lip-synching is draped over the terrific bones of a strong story of one man who is trying to shake off the past (Bishop Eddie Long – who is actually there in spirit, but what a spirit it is) and embrace his present: Stev, a tall drink of water who loves him like Islands In The Stream (aww! Sweet!) but can’t quite come out of the closet far enough to shout it from the mountains. Well, not yet.

And, I did mention Jennifer Holiday, right? This was A Man-tasia in the truest sense of the word -and while I actually don’t KNOW what the truest sense of the word ‘Man-tasia” actually is I will say it’s a fantasy, told from the heart, set to a driving soundtrack of amazing songs (and a little Babs in there too of course). This was no show – this was an experience. I want it back again, ASAP. Weekly if possible – with surprise guests! Pleeeez???

Xmas in July? You bet your buttons! Or, in the case of Lord Gregory & Mademoiselle Godin’s miniXMAS Spectacular - you bet your bouton!

This french brother and sister act have it all. Charm, style, talent … and what friends they have! Greg Levin and Michelle Leona Godin don the outfits of a bygone french era and the personalities of french twins to create a salon in which their charming circle could congregate to celebrate miniXMAS for our enjoyment.

One after another their talented friends came to the stage to kick up their heels with the crowd. So many! Joe Yoga was there and you know what a fan I am of his! Leslie Goshko did the most inspired version of Frosty The Snowman I ever heard … If Frosty was actually that guy whom Alanis Morrisette wrote about in You Oughta Know. (WHY did no one ever do that mashup before? No matter … Leslie did – and it’s brilliant). AND imagining FROSTY is a lot better than imagining that guy from Full House putting it to Alanis, non?

Michael Birch reminded everyone that We Need A Little Christmas … and also reminded us that the whipping sound in Sleigh Ride (1:07 in this beloved Boston Pop version) is actually … you know ... a horse being whipped. Still, it didn’t keep us from merrily participating whip and all. After-all, miniXMAS is all about tradition! Then Beezy Douglas weighed in with an anti-christmas song because it is JULY after all.

But there were skits too! Lord Gregory himself wound up playing the Santa who got caught in a sting set up for a pedophile … though he digs himself deeper and deeper (But Becky wrote me a letter! I brought this bag of toys! Children write their fantasies to me!!!) Later after Chromatic Stampede sang about wanting nothing more for christmas than consumer debt forgiveness Peter DeGiglio flipped the script on Twas The Night Before Christmas and pulled out an aresenal of voices from his bag of tricks as he told a Mook miniXMAS story — in verse. C’est Manifique

With a Krampus making an appearance via shadow puppet master Ceili Clemens the whole evening was pretty much complete.

Like any good miniXMAS there were a few other little surprises under the tree, but the real present was the great feeling of joy and good will toward men and … oh forget it. It’s JULY.

Thanks Lord Gregory and Mademoiselle Godin for sharing your love of miniXMAS – and your love of each other … and sharing your friends with us! See you next miniXMAS! Whenever that may be!

And that’s it for Mini Fridge this year. Good job everyone. See you next year, starting with Elevenses.

Wasabassco Extravaganza: Better Than Promised … Night One

Karen Tortora-Lee — Sat, 05 Nov 2011 23:38:08 +0000

Temperatures were rising last night at the first evening of the two part celebration for Doc Wasabassco’s 7th Anniversary Extravaganza. The blazing hot belles were ravishing, revealing and resplendant as they strutted, sauntered and slowly stripped their way across the stage of The Bell House last night.

But that was only part of it.

As promised the place was crammed with every type of seductive, suggestive, steamy, spicy, slinky thing you could imagine. Lady Scoutington warmed up the crowd on the main stage with some get up and go-go dancing while out in front Peekaboo Pointe was Pole Dancing and doing things I’d only heard of whispered about in certain circles. She was mesmerizing to say the least.

Side tables were selling wares that would make any fan of burlesque giddy with excitement – gorgeous stockings from PEEK were avaliable as well as pasties handmade by Nasty Canasta herself!! Undoubtedly I had to get myself a pair – for research purposes of course! In homage to Ms. Canasta I got a pair of Vegas inspired pasties replete with poker chips, cards and sparkly stones. I can’t wait to … ahem … I mean … wow. Those sure will look nice on my … display shelf.

Speaking of pasties once the main show got started there was no shortage of them. After a wonderful welcome from the man of the hour himself, Doc Wasabassco, and a full-on intro by Bastard Keith (who warmed up the crowd with amusing tales and a soulful rendition of Otis Redding’s “Try A Little Tenderness” that was absolutely awe-inspiring) things got right down to business.

Hazel Honeysuckle started off the festivities with a fantastic number that featured a gorgeous blue ensemble that came off slowly to a lounge version (which was almost unrecognaizalbe until the chorus) of Ice, Ice Baby.

Following her was Magdelena Fox who didn’t disappoint as she disrobed her exotic feathered costume and shook fans that flew through the air and appeared to set her ablaze, so quickly did the red and yellow material stream and blur.

Bird of Paradise used elaborate props to re-create a Flashdance flashback, starting off dressed as mechanic and ending up as a dripping wet 80s dancer. What a feeling!

Precious Little proved she had a Precious Lot … bedecked in white feathered finery, she unbuckled her corset and spun a hoop of white plumes around to roars of approval.

Medianoche then came out and did her typical mezmerizing, teasing absolutely alluring dance complete with huge red fans and twinkling eyes. She had the audience spellbound.

Then it was time for the PEEK stocking fashion show featuring Hazel Honeysuckle, Bettina May, Tansy, Nasty Canasta and Medianoche before the crowd took a break.

At this point, knowing I was going back again tonight, I decided to call it an evening so that I would be ready to greet the new wave of Burlesque that I knew would knock my socks off again. (But just my socks, kiddies).

Tickets are still available for what I KNOW will be another amazing night, and there’s plenty of room in The Bell House to enjoy the show. So come down early, watch the lovely ladies, buy some items, and enjoy some of the best entertainment Burlesque has to offer as you help the Wasabassco group celebrate seven terrific and successful years!

~~~

Wasabassco Burlesque’s 7th Anniversary Extravaganza will be hosted by Doc Wasabassco, Bastard Keith, GiGi La Femme, Nasty Canasta, Sapphire Jones, and Stormy Leather.

Doors will open at 9pm

With performances by: Albert Cadabra, Amanda Whip, Amber Ray, Bastard Keith, Bettina May, Bird of Paradise, BooBess, Broadway Brassy, Bryan Barletta, Emmy Dubois, Evelyn Vinyl, Gal Friday, GiGi La Femme, Go-Go Harder, Grace Gotham, Hard Corey, Harvest Moon, Hazel Honeysuckle, Jenny C’Est Quoi, Kita St. Cyr, Kobayashi Maru, Lady Scoutington, Lauren Liberman, Madame Rosebud, Magdalena Fox, Mala Morrigan, Marlo Marquise, Medianoche, Hula Hoop Harl*t Melissa-Anne, Michelle L’amour, Ms Tickle, Nasty Canasta, Nelson Lugo, Nikki Le Villain, Peekaboo Pointe, Pixie Love, Precious Little, Sapphire Jones, Stormy Leather, Tansy, The Outer Borough Brass Band, Victoria Privates, and Vikki Likkerish.

Tickets $25 are available by clicking SATURDAY

or by calling TicketWeb at 1-866-777-8932

The Bell House

149 7th Street (between 2nd and 3rd Aves)

Brooklyn, NY 11215

Wasabassco Burlesque – Celebrating Seven Years And Still Going Strong

Karen Tortora-Lee — Fri, 04 Nov 2011 03:51:16 +0000

If you’re any kind of regular reader of THM then you know that around here we sure love Burlesque. Lucky us! Living in New York City as we do, there is no shortage of fantastic Burlesque performers who constantly and consistently have us hooting and hollering and calling out for more.

Doc Wasabassco by Leland Bobbe

If you, too, are a lover of Burlesque then the name Doc Wasabassco is not new to you. You’ve no doubt seen the Wasabassco name plastered across any number of posters, or perhaps have seen the man himself as he introduces one of his amazing shows.

This weekend marks the Seventh Anniversary of Wasabassco Burlesque. To celebrate, Friday, November 4th and Saturday, November 5th Brooklyn-based Wasabassco Burlesque will present over 40 of Wasabassco’s favorite performers, with over six hours of risqué entertainment guaranteed to blow the roof off The Bell House in Brooklyn.

Among other things there will be a stocking fashion show, a pole dance show-within-a-show, performances by the Outer Borough Brass Band along with striptease, hula hooping, fire eating and more.

Doc Wasabassco took some time to answer a few of my questions before I head out to the big event which begins tomorrow.

You’re living every man’s dream, surrounded by beautiful women who are masters at charming, beguiling and seducing. What part of your job is actually just like any other and what part of your job defies expectations?

Doc Wasabassco: Haha, Well the part that ends up being just like any other is probably the office logistics. For every two hour show there are days of answering emails, dealing with paperwork, filling out spreadsheets, having meetings, making phone calls, all of the dull monotonous stuff involved in any job, but it all does pale in comparison with the stuff that defies expectations. My favorite moment is when the first number of any given show starts: when the lights go up, the music starts, the house is packed and there are suddenly smiles on the faces of the crowd, everything lights up and everyone shares in the knowledge that something amazing and sexy and fun is about to happen.

You advertise as “sexy, couple-friendly burlesque shows full of risqué fun, spicy shenanigans, and plenty of saucy striptease”. I have been to a few of your shows with my husband and I do agree … it’s great for couples. What ingredients go into making a show that appeals to everyone as opposed to one that’s just for the guys?

DW: The art behind Wasabassco is created by each performer, and most of those performers are women; female performers using their sexuality in whatever way they choose to entertain, to tease or inspire but always to tell some kind of story. Male and female audience members respond to that before anything else and then the sexuality is presented from a place of respect. There’s so much more to a burlesque number than just showing tits and ass (though there’s plenty of that too).

You’re about to celebrate your seventh year of Wasabassco Burlesque with a huge Extravaganza. As a showman producer of Burlesque and Nightlife Events, what’s at the heart of a terrific night of burlesque?

DW: Variety. I don’t even mean variety acts like magic and sword swallowing though that’s always a welcome addition as well. I mean variety in types of performers and style. A good burlesque show has classic numbers as well as modern ones. Sensual numbers, comedic numbers, performers with different backgrounds, body types, different talents and character. There are so many amazing talented people in burlesque, if you put the right ones in the right combination you get that terrific night.

What are some things about the business that have gotten easier since you’ve started … and what’s remains the biggest challenge?

DW: Putting together a great show has gotten easier. After 7 years we know what works and what doesn’t, what audiences will like and what they won’t, and we know how to spot something new and exciting so that we keep growing and never stagnate. The biggest challenge remains working on other people’s turf. We have fantastic relationships with some of the best venues around, but it’s always a challenge to work in someone else’s space. The goal is eventually for Wasabassco to have it’s own Burlesque House.

The women (and men!) you work with come from a variety of backgrounds, they all have different performance styles and on-stage personalities. But there must be a common quality that makes you say to yourself ”That’s the type of performer I want to be part of the Wasabassco family”. Can you put that quality into words?

DW: They need to be amazing. It’s that simple. One performer can be dark and mysterious and another light and fanciful. So long as they’re both great at what they do I want them in my show. I never want to limit Wasabassco to one style or type, but I don’t have any room for mediocrity.

The Wasabassco Hellfire Club is billed as “The Dirty and Dark Side of Wasabassco”. There are Keys to get in that cost 40 dollars. It all seems a little “Eyes Wide Shut” … but much better of course. What makes Hellfire Club different than the other shows?

DW: Ha Ha, yes, much better than “Eyes Wide Shut”. Less boring for one thing, and fewer Scientologists. As we’ve discussed, Wasabassco is always couple friendly, it’s just that some couples enjoy being a little freakier than others. That’s who the Wasabasco Hellfire Club is for. My co-producers for Hellfire Club are Stormy Leather and Nasty Canasta. Stormy’s the dirtiest girl I know and Nasty’s incredibly sexy and brilliant. We get to cross a line with this show that we wouldn’t usually with other Wasabassco shows because Stormy and Nasty are leading the way, and I trust them implicitly. The Wasbassco show is designed to turn you on, brain first.

You’ve had seven great years, with more ahead. What’s the most innovative thing you can imagine doing in Burlesque over the next few years?

DW: Opening our own club, a dedicated venue with a beautiful stage, plenty of seating, and the ability to host all kinds of performance, from aerial artists to fire performers, with plenty of ample storage for giant props and elaborate numbers.

Doc, I can’t wait to see it! I know if it has your name on it then it will be something special.

_______________

But in the meantime, I’m going to be at The Bell House to help the Wasabassco gang celebrate their wonderful success – seven years of being the hottest, best Burlesque Show On Earth! See you there!!

~~~

Wasabassco Burlesque’s 7th Anniversary Extravaganza will be hosted by Doc Wasabassco, Bastard Keith, GiGi La Femme, Nasty Canasta, Sapphire Jones, and Stormy Leather.

Doors will open at 9pm

Tickets ($25each night/ $40 for both nights) are available by clicking FRIDAY or SATURDAY

or by calling TicketWeb at 1-866-777-8932

The Bell House

149 7th Street (between 2nd and 3rd Aves)

Brooklyn, NY 11215

The Happiest Medium » Magdalena Fox

2nd Season Mini Fridge – Tasty, Filling And Leaving Audience Wanting More! (Jun 28, 2012 – Jul 04, 2012 )

Additional reporting by Stephen Tortora-Lee

Related Posts:

Wasabassco Extravaganza: Better Than Promised … Night One

Related Posts:

Wasabassco Burlesque – Celebrating Seven Years And Still Going Strong

Related Posts: