by Antonio Miniño on March 6, 2011
Ali Kresch in Mendacity (Photo by Lauren Rayner)
Ali Kresch delivers a collage of expressions in Mendacity, (written & directed by Lauren Rayner) an experimental visually striking solo performance with a poignant and healing look into the uncomfortable yet significant and much needed subject of rape and the self destruction that could sadly ripple after. Ms. Rayner sharing her own personal stories of sexual assault for the stage is undeniably no small feat. She has also interviewed other women to develop this show that is described as a word-collage. This is a very accurate description for the show, as Ms. Kresch repeats certain words to reiterate their meanings in her story and the way different inflections create different emotions. Unfortunately this a compelling show does not make. There is no driving plot-line to keep us fully focused or to appreciate the important message Ms. Rayner is trying to convey.
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by Karen Tortora-Lee on March 5, 2011
Hi, How Can I Help You? Featuring Scout Durwood (Photo by Helene Delillo)
I’m not going to talk big and act like I know the first thing about what it’s like to work in a New York City Sex Dungeon – or even to step foot through the front door of one for that matter. For all I know, Scout Durwood’s solo show Hi, How Can I Help You? which takes place in the lounge area of a dungeon during the down time between clients on the eve of the 2008 election could be completely representational of every domination house in every city across America. Or, it could be complete fabrication. Truth is, I don’t know.
So I’m going to deal with what I do know here – and that is that Ms. Durwood is an extremely likable, engaging, sometimes goofy, sometimes heartbreaking performer who knows how to rock a huge pair of stiletto platforms while still managing to be funny, soulful, and entertaining.
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by Antonio Miniño on March 4, 2011
Papi holds Pretty Big (Pretty-n-Papi featuring Leah James Abel & Olivia Hallie Lehrman (Photo by Dana Reichma)
In Pretty-n-Papi (written by Leah James Abel, Cody Schreger, and Olivia Lehrman) Ms. Pretty Smart is pretty ready for her pretty man to walk into her life, but things aren’t looking that bright for this girl in the love department so she decides to start online dating, why not! Haunted by a radio commercial of “Princess Charmony,” she surfs the web on her ginormous macbook and creates a profile, username: PrettySmart. Continue Reading…
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by Geoffrey Paddy Johnson on March 4, 2011
Boatload (photo by Stars And Hearts)
In Boat Load the boat of the title is a metaphor representing the creative muse of Gary Bazman, an underachieving actor who has stayed too long in his small hometown. The load is the passenger list, a lifetime of Gary’s familiars – father, mother, girlfriend, professional contacts, friends, imaginary characters, even his cat, Mr. Tangerine. Gary, the boat, and its load, are all represented by writer/performer Jayson McDonald on a stage that is bare but for a single straight-backed chair. The ensuing hour of actorly tale telling will have your head spinning as you try to keep up with the action and not lose yourself in McDonald’s riveting performances.
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by Diánna Martin on March 4, 2011
My Pal Izzy - The Early Life and Music of Irving Berlin featuring Melanie Gall
Imaginative and educational, Melanie Gall’s My Pal Izzy – The Early Life And Music Of Irving Berlin combines a healthy dose of fact and fiction as we are given a panoramic view of the life of brilliant composer Irving Berlin during his early formative years through his ill-fated albeit loving marriage to Dorothy Goetz. Our narrator, Rebecca, shares small stories behind several of his songs (many of which, in this fictionalized narrative, are based on their friendship) while the character also weaves in a considerable amount of history about the famed Berlin, who was born Israel Baline, and his childhood dreams that he hustled and worked so hard for to make a reality. As she describes the songs, she also shares them – with her opera-trained voice and pianist (John Murphy). Continue Reading…
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by Karen Tortora-Lee on March 3, 2011
Talk about power, baby. Nathan Fillion makes one semi-serious quip and almost overnight a movement is born, galvanized by the yearning of fans everywhere to once again see Serenity take to the skies. Of course I’m talking about Firefly – the much loved but short-lived series that ran on Fox in the early 2000s and was then cancelled in its prime. And I’m also referring to Fillion’s remark in an EW interview last week that “If I got $300 million from the California Lottery, the first thing I would do is buy the rights to Firefly, make it on my own, and distribute it on the Internet.”
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by Geoffrey Paddy Johnson on March 3, 2011
Joe Mazza in The Hyperbolist (Photo by Susan Ask)
As you enter The Red Room, the small black box theater space upstairs from KGB Bar, to attend The Hyperbolist, don’t be surprised to find performer/auteur Joe Mazza already there waiting to personally greet you. His is an undeniable presence, crackling with the energy of the irrepressible performer, eager to shake hands, quip with you, and generally impress upon you the aura of his creative, irrefutable me-ness. You could feel him across a room even if he wasn’t so striking, and there’d be no need for the trappings of theatrical finesse – the black clothes, dark-framed glasses, and black eye make-up – if he wasn’t, in a moment, about to launch a complex, engrossing, and delightful attack upon your jaded audience senses.
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by Karen Tortora-Lee on March 3, 2011
You know how to get me to fall in love with your production within the first minute? Start off with a smooth cocktail made up of one part Lady Gaga and one part Sweeney Todd, mix it up with some hot choreography, garnish the hell out of it with a lavender back light, then have it served up hot and sweet by a trio of beauteous A Capella boys. Then, just keep going. Walk into Fate, Fury and Musical Theatre: A Kind of Cabaret expecting to be drunk on talent and damn – you’ll get your elixir and more. Much more. Written and performed by front-woman Liz Wasser, Fate, Fury is Fabulous, Fun and Fantastic.
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by Diánna Martin on March 3, 2011
Year of the Slut featuring Jen Lieberman (Photo by Lindsay Goldman)
Jennifer Lieberman’s one-woman show, Year of the Slut, is an odyssey through the life of a young Canadian getting her feet wet in the bright lights and big city of New York. The main things on her mind besides getting her acting career in high gear is to successfully 1) lose her virginity 2) survive the land mines of available yet dysfunctional bachelors who she finds herself involved with and 3) meet Mr. Right while opening up her horizons to channeling her sexuality through her creativity.
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by Antonio Miniño on March 3, 2011
Candy Simmons in Scarlet Woman
Simple: if you love a good murder mystery and film noir you will enjoy Scarlet Woman. Matthew Well’s play has more twists and turns than a twizzler, and actresses Candy Simmons and Megan Hill love chewing on that licorice!
Carmine (one of the characters played by Candy Simmons), is a woman who can’t get a recent fire out of her mind, except she can’t really remember the details! Off she goes to find out who killed her father. Her clue? One of his former lovers who sends her off on a wild noir chase to another lover… and that lover to another… and another… you get it. Megan Hill does a great job at physically transforming into the different smokey ladies and even a couple of dandies.
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