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It’s pretty clever when a theatrical production adopts the stance that what it is about to present you with is nothing more than offensive, odious rubbish. And when it does so persistently, warning you at each interval that things are only going to get worse, more unbearable, it seems cleverer, because you have no one ... Read The Full Article...
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There’s an undeniable darkness at the heart of Alex DeFazio’s new play, 2 Burn, produced by Elixir Productions Theatre Company for this year’s NY Fringe Festival at The Living Theatre. And the darkness in a large measure resides in the character of Paul, an earnest college educator, as played by Jody P. Person, one of ... Read The Full Article...
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Perhaps director Greg Foro and the BAMA Theatre Company could not have asked for a better setting than the Connelly Center’s Connelly Theatre on East 4th Street to stage their production of Shakespeare’s Hamlet. A miniature old world theatre stage, complete with grinning classical masks on a battered, gray painted proscenium, it quietly, without the ... Read The Full Article...
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There are several occasions during Mimic when performer Raymond Scannell’s kohl-lined eyes look directly out into the audience and rake through the crowd with a malevolent glitter. The moments induce goose bumps, and a magnetic tug that would have you surrender all resistance and follow him willingly towards the heart of darkness he is hinting ... Read The Full Article...
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In Boat Load the boat of the title is a metaphor representing the creative muse of Gary Bazman, an underachieving actor who has stayed too long in his small hometown. The load is the passenger list, a lifetime of Gary’s familiars – father, mother, girlfriend, professional contacts, friends, imaginary characters, even his cat, Mr. Tangerine. ... Read The Full Article...
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As you enter The Red Room, the small black box theater space upstairs from KGB Bar, to attend The Hyperbolist, don’t be surprised to find performer/auteur Joe Mazza already there waiting to personally greet you. His is an undeniable presence, crackling with the energy of the irrepressible performer, eager to shake hands, quip with ... Read The Full Article...
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Kevin J. Thornton nimbly takes the stage at 4 in the afternoon for another performance of his one-man show, I Love You (We’re F*#ked). “It’s early in the day, isn’t it?” he asks. “I feel like I’ve just gotten up.” And looking at him, with a slight rawness around the eyes and a gracefully rumpled ... Read The Full Article...
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Why are so many people repulsed by (and fearful of) clowns? Could it be because the barbaric humor they deploy is played, in part, to mock the audience? Who, after all, but fools would be entertained by such crude gestures and antics? Or is it because those white, white faces, with broadly drawn features, are ... Read The Full Article...
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Titling a show FUNNY A Trunk Show is perhaps somewhat daring, if not theatrical wishful thinking. Some people’s funny is other people’s camp. So it’s a good thing that Denmo Ibrahim’s one-woman show, just opened in the FRIGID New York Festival, knows what it is about, and blithely transcends its title. Related Posts:FRIGID New York ... Read The Full Article...
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They are you know! Almost six inch high heels. In about a size 11. Men’s. (“Are those the Louboutins?”) And Justin Bond, in a streamlined, sequined black leggings ensemble is emerging through that awkward little back flap stage entrance-way at Joe’s Pub for another evening of his winter show run, simply entitled “Justin Vivian Bond”. It’s a softer-looking, even ... Read The Full Article...
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