The Happiest Medium

Last Looks At The Happiest Medium In 3-D – Pull Your Glasses Out

by Stephen Tortora-Lee on November 21, 2010

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happiest party

For those of you who attended the Happiest Medium’s 1st Anniversary Party (in 3-D) you may have seen these slide shows already. They feature the great performers we had there, and some of their upcoming projects. Here is the main slide show with the normal as well as 3-D-ified images that will jump out at you if you look at them with ChromaDepth 3-D glasses.

And let me thank all our performers and sponsors one last time -

Ahmond, Monica Bauer, Charites, John Fico, Jeff Grow, Paolo Javier, Kampfire PR, Kill the Band, MTWorks, Karen Tortora-Lee, and  Franca Vercelloni,

Now to look at the slides… Continue Reading…

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4 Cents Review: Late Nights With The Boys – A Grown Up Fairy Tale (Frigid Festival 2010)

by 4 Cents Reviews on March 5, 2010

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4 Cents Review – When 2 reviewers each give their 2 cents.

LATE NIGHTS WITH THE BOYS: confessions of a leather bar chanteuse Pictured: Alex Bond in 1977

LATE NIGHTS WITH THE BOYS: confessions of a leather bar chanteuse Pictured: Alex Bond in 1977

Today Diánna Martin and Karen Tortora-Lee give their 4 Cents about Late Nights With The Boys: Confessions Of A Leather Bar Chantuse which is part of this year’s Frigid Festival.

Late Nights With The Boys: Confessions Of A Leather Bar Chantuse was presented as selections read by Alex Bond and David Carson from Ms. Bond’s novel, but aside from that we both didn’t know what to expect.  The Frigid blurb promised that the reading would transport you to Dallas 1977, a magical time before HIV/AIDS, but not before ignorance and prejudice so we were eager to watch this story unfold.

Karen: I really didn’t know what to expect from Late Nights With The Boys, and almost immediately I was charmed.  Didn’t you sense their warmth right away?

Diánna: Absolutely – there was something very natural and calm about Alex Bond and David Carson that affected the audience. I think the fact that they didn’t dim the house lights was interesting toward that end …

Karen: Definitely. I mean, I felt they were having a conversation with us (the audience) as much as with each other, and that sense of immediacy happened automatically.

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