The Happiest Medium

“The Power Of Birds” – A Family Learning To Fly In Formation

by Karen Tortora-Lee on March 3, 2010

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The Power of Birds (written by Robin Rice Lichtig and directed by Elizabeth Bunnell) begins with migration; but that of a family, not a flock.  For a moment if you just sit still enough, you can see the allegory of it take shape in front of you: Father Philip Fogarty (Jay Potter) has left the family (apparently for good) and without even an emotional downshift Mom Loretta (Annie McGovern) moves into lead position – steering the flock toward new territory and new horizons that she feels will benefit all of them.  Loretta Fogarty takes a job in a new state and brings her two children and her mother-in-law along.  It’s as if nature has taken the place of nurture and the migration must happen according to some unspoken but unmistakable design.  And despite grumblings from 12 year old daughter Zoe (Emma Galvin) who had a strong connection to her father, the family moves because they are compelled to by some inner compass.  Loretta, a gym teacher with very little regard for the world of ornithology which was so important to her husband , uses sports metaphors and cheers to rally her family and take them into the next phase of the game (“Go Team Fogarty!”).  Like a parrot, son Charlie (Noah Galvin) repeats everything his mother says, and even if he’s saying it for the first time you get a sense that it was filtered through his mother’s voice at some point first (In response to where their father might be, Charlie and his mother have this exchange: CHARLIE: Not working in an office like a man, right Mom?  LORETTA: Not taking care of his 12-year-old children. CHARLIE: Not taking us on family trips, right Mom?)  He is like the other half of his mother, like a twin.

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Posted in Manhattan and Off-Off-Broadway and Review and Theatre .


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