Playwright Eric Sanders Explains It All
by Karen Tortora-Lee on January 28, 2009
Eric Sanders is many things: a prolific playwright, a producer, and a lover of the horror genre. With his upcoming play, The Wendigo, he takes the old tale written by Algernon Blackwood and brings it to the stage. I sat down to talk with him about his career, his upcoming play, and his thoughts on theatre.
KTL: Eric, thanks for taking some time to chat with me today. Before we get into your latest play, The Wendigo, I wanted to talk about DEWEY’S NIGHTMARE: The Library Play Challenge which was a process where people were blindfolded, set loose in a library, had to pick a book at random and then had one week to come up with a play based on the book. Your play was called Mangina. I have to ask, was it about what it sounds like it’s about?
ES: The cool thing about doing Dewey’s Nightmare is that the books were all random and very arcane, really one-of-a-kind books. I wound up getting a yearbook from a small New Jersey State School from 1982 and I had to write a play based on it. I was trying to just absorb it all … and I saw a picture of this sad looking girl, sort of looking off into the distance. On another page there was this picture of a jock. I just pictured the two of them having an end-of-year conversation about a failed relationship. The twist is that he’s a hermaphrodite.
How that came out of seeing those two photos, I don’t know. I’d be horrified if they saw the play! Not that they would ever know it was based on their pictures. So yeah, that’s what Mangina is.
