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Manhattan

Judge, Yuri, & Executioner is a simple, straightforward, character-driven play, and therein lies its brilliance. Written by Ed Malin, directed by DeLisa White, and starring Mac Rogers, this play is the work of three formidable talents. Incredibly strong writing and stellar acting carry the play forward, captivating the audience with wit, humor, and intelligence, as ... Read The Full Article...

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  “This is not your father’s burlesque show,” intones host Atlanta Georgia (Marlena Kalm) to the assemblage who stare at the three preening women who are outfitted in sky-high heels, racy bodices and flirty skirts of the schoolgirl-gone-bad-kilt and tutu variety.  With glittery winks and flicking hips these three women ooze dangerous sex appeal and ... Read The Full Article...

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The Happiest Medium Review by Guest Contributor Linnea Covington If you have ever had dreams of your dolls coming to life and doing a sexy strip tease, this show is for you. Produced by two-time FringeNYC winning performer and playwright Cyndi Freeman with storyteller Brad Lawrence, both whom are burlesque performers, Scratch & Pitz Burlesque and ... Read The Full Article...

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  The characters of this show may be tiny, a little wooden, and come off as a little stiff but Poe-Dunk: A Matchbox Entertainment is anything but rigid.  In fact, this innovative, charming, engaging show by Playlab NYC directed by John Pieza is a lively piece of theatre thanks to the man behind the matches – ... Read The Full Article...

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  Wendy Herlich is many things, but “awkward” is not one of them.  In her new show An Evening of Awkward Romance currently playing at The Tank Ms. Herlich proves that she is not only a gifted writer with the ability to create short sketches which manage to be sweet, funny and (yes) awkward all at ... Read The Full Article...

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There’s a terrific moment in Eddie Antar’s The Navigator when main character, Dave, is beginning to realize the true capabilities of his GPS system.  Not only did the soothing female voice guide him to the proper exit, but she (albeit a bit cryptically) pointed him toward a great stock tip, gave him some advice on ... Read The Full Article...

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As part of the Board of Directors of MTWorks I’m really proud to be involved with the National Newborn Festival. Part of my job was to help choose the Excellence in Playwriting Award (see below for the winner!) and this year I’ll be introducing one of the plays — but I won’t tell you which ... Read The Full Article...

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The Morningside Opera company offered up a quite singular interpretation of Pergolesi‘s Stabat Mater in their Fabulosa rendition on January 26th at Dixon Place, which proved, at once, a scholarly as well as a quite literal undressing of the original. Composed in 1736 – the year of Pergolesi’s death at the august age of 26 ... Read The Full Article...

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    We’re always excited to hear that a great show is sticking around for a while.  And if you had a chance to read Geoffrey Paddy Johnson’s review of Samuel & Alasdair: A Personal History of the Robot War you know that it was a great show.  (If you DIDN’T get a chance to read ... Read The Full Article...

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Flux Theatre Ensemble’s production of Menders (written by Erin Browne and directed by Heather Cohn) currently playing at The Gym at Judson will catch you by surprise – but not all at once.  It will do so in subtle ways, often, and always differently than it did moments before. First you will be drawn in ... Read The Full Article...

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John Sowle in Horripilation!
 / Photo by Steven Patterson The writer and performer of Horripilation!, John Sowle, is unquestionably a shining light in the fields of research and preservation of obscure global theatrical traditions, as well as being an imposing performative figure in the relating and embodiment of these same traditions. In 1973, with a ... Read The Full Article...

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Deploying a short and narrow raised, wooden platform, with a total area surface of 21 square feet, seven actors in blue spandex outfits (that’s 3 square feet each they have to work with; you do the math!), no scenery or lighting effects, and just 35 minutes, Theater Un-Speak-Able set out to tell that well-worn saga ... Read The Full Article...

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