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by The Happiest Medium on February 2, 2012
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
Rabbit Island
Company: Elephant Run District
Directed by: Aimee Todoroff
Alex zigzags irregular relationships with an erratic therapist, his off-again/on-again girlfriend, and an untamed burlesque dancer. What more will it take to become a Real New Yorker? “When life sucks as bad as your mental health, go to Rabbit Island.”
Show Times:
- Thur 2/23 @ 9:00pm
- Sat 2/25 @ 8:30pm
- Mon 2/27 @ 7:30pm
- Thur 3/01 @ 6:00pm
- Sat 3/03 @ 5:30pm
Answers by Chris Harcum
(Playwright)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean?
Chris: Oh, I bet you say that to all the Frigid Festival shows.
My friend, and brilliant costume designer, Kathryn Rohe, suggested I develop a character named Alex from my solo show Gotham Standards for a full play. He’s a Canadian in New York City and always slightly out of place, which is my default setting. I was looking at a Not For Tourists Guide and saw that Coney Island came from the Dutch “Konijn Eiland.” In English, that’s “Rabbit Island.” I also found out that Coney Island isn’t actually an island, it’s a peninsula. Something about that is fitting for the characters in this play who are freakshows on the inside and not all they seem on the outside. Plus, come on, rabbits. (You should ask me sometime how we came up with the company’s name, Elephant Run District. It’s a far more entertaining answer.)
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by The Happiest Medium on February 2, 2012
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
Mac Rogers (photo by Lauren Arneson)
Judge, Yuri & Executioner
Company: Temerity Theatre Company
Directed by: DeLisa White
Zack is an 85-year-old masochist who prefers older women. His girlfriend just left him. Where can he find a kinky senior citizen now? Time to tell his darkly funny life story!
Show Times:
- Thu 2/23 @ 8:00pm
- Fri 2/24 @ 11:00pm
- Sun 2/26 @ 12:30pm
- Thu 3/01 @ 9:30pm
- Sat 3/03 @ 8:00pm
Answers by Ed Malin
(Playwright)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean?
Ed: The title is a pun on several episodes from the main character’s life. He is 85 years old, has seen a lot, and is a very happy masochist. As such, he finds himself identifying with Russian cosmonaut Yuri Gagarin.
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by The Happiest Medium on February 1, 2012
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
Little Lady featuring Sandrine Lafond (Photo credit Paolo A. Santos)
Little Lady
The transformation of Cirque Du Soleil performer and Celine Dion dancer to performer generated theater artist is mirrored in this dark, comic and at times grotesque fable about our modern obsession with image. The exquisite movement skills of Lafond juxtapose with the world of distortion and manipulation accentuating LITTLE LADY’s tormented and blissful metamorphosis.
Show Times:
- Thu 2/23 @ 6:30pm
- Sat 2/25 @ 2pm
- Tue 2/28 @ 9:30pm
- Thu 3/1 @ 11pm
- Sat 3/3 @ 5pm
- Sun 3/4 @ 12:30pm
Answers by Sandrine Lafond
(Creator and performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean?
Sandrine: It was last summer, I was on Manitoulin Island in North Ontario. I was working on two different characters and I needed a name to make sure I wouldn’t mix them up. It was the first thing that came to my mind. The only reason I kept it is because people liked it right away, so they decided! The name of the character and the piece are the same as ,I wanted simplicity.
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by Karen Tortora-Lee on January 31, 2012
As part of the Board of Directors of MTWorks I’m really proud to be involved with the National Newborn Festival. Part of my job was to help choose the Excellence in Playwriting Award (see below for the winner!) and this year I’ll be introducing one of the plays — but I won’t tell you which one! You’ll just have to come join me at the festival.
So what is Newborn?
Now on its sixth year, The National NewBorn Festival is MTWorks playwriting competition and flagship program created to find talented emerging playwrights from across the US, introduce their work to the New York community, and open new doors to regional voices.
READINGS ARE FREE AND OPEN TO THE PUBLIC
TO RESERVE YOUR SEATS CLICK HERE
(OR VISIT http://tinyurl.com/72h4jfw)
February 2-4, 2012
The City College of New York (map)
North Academic Center, 160 Convent Avenue New York, NY
First Floor Lecture Hall (1/202)
THE 2012 PLAYS & SCHEDULE
Thursday, February 2nd at 7pm
The Tragedy of Dandelion by Duncan Pflaster, directed by Leah Bonvissuto, produced by Jessica Thornhill.
The Tragedy of Dandelion follows a Princess named Dandelion, who attempts to escape, by dressing as a boy, a forced marriage to Ratliff, a man who raped and impregnated her. She collaborates with Prince Crispin, son of Queen Alice, telling him that the baby is his, to gain a place in that kingdom and while waiting in the Queen’s orchard, meets the Queen’s daughter, Princess Cèlie, and shares a kiss with her. She gains a place in Alice’s kingdom, till Ratliff and her father King Stephano, come to Alice’s palace and point out that Dandelion is a female, and drag her away. A new lesbian verse play by Duncan Pflaster.
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by Geoffrey Paddy Johnson on January 31, 2012
Stabat Mater Fabulosa
The Morningside Opera company offered up a quite singular interpretation of Pergolesi‘s Stabat Mater in their Fabulosa rendition on January 26th at Dixon Place, which proved, at once, a scholarly as well as a quite literal undressing of the original. Composed in 1736 – the year of Pergolesi’s death at the august age of 26 – the piece has been an iconic work in the canon of western sacred music ever since and has enjoyed an unbroken record of performance for nearly three hundred years. This surely says something about a work, to have endured so vigorously the vagaries of artistic, musical, and religious change, never mind or dare one say, taste. Which in many ways explains its attraction for Morningside Opera, who see their role as boundary-pushers wishing to invigorate dialogue between traditional and new modes of the form. Their stripped down presentation was both scholastically dense as well as visually provocative.
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by The Happiest Medium on January 31, 2012
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
I MARRIED A NUN! Dyan Forest
I Married A Nun!
A one-woman show that dramatically depicts D’yan’s search for love and meaning in life, finding the answers—at age 77—in the smoldering cabarets and demimonde of Paris. With humor, art and her ukulele, she reveals the truth that’s valid for all of us.
Show Times:
- Wed. 2/22 @ 9:00 PM
- Thurs. 2/23 @ 6:00 PM
- Sun. 2/26 @ 1:00 PM
- Thurs. 3/1 @ 7:30 PM
- Sat. 3/3 @ 8:30 PM
Answers by D’yan Forest
(Playwright & Performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean?
D’yan: It’s the truth, and the reason I wrote the show.
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by The Happiest Medium on January 31, 2012
Five Questions. Five Answers. And one big decision: Rock, Paper, or Scissors?
Nicole Pandolfo
Love In The Time Of Chlamydia
Company: Hard Sparks
Love In The Time Of Chlamydia is one woman’s search for love in a world full of absent dads, dirtbag boyfriends, and premature ejaculators. Your first time wasn’t weirder – and your best time wasn’t wilder – than writer-performer Nicole Pandolfo’s.
Show Times:
- Thur. 2/23 @ 10:30 PM
- Sat. 2/25 @ 4:00 PM
- Sun. 2/26 @ 4:00 PM
- Wed. 2/29 @ 6:00 PM
- Sun 3/4 @ 5:30 PM
Answers by Nicole Pandolfo
(Writer, Performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean?
Nicole: Well, it started out originally as monologues from the perspective of prostitutes who had seen really weird stuff go down on the job, and it was called Five Fucked Up Fetishes. Then I realized I was using a lot of back story from my own real life – God that sounds bad – and then I was like ‘ok, this is actually going to be a one person show based on my life.’ And then, because there is a vignette with venereal disease, I came up with Sex in the Time of Chlamydia. I came up with that very quickly and it was obviously inspired in its form by the title Love in the Time of Cholera. And then when I was really getting into writing the first draft I realized that even though there was a lot of sex in the piece it was really about love. And it took me a minute for that to sink in. But once it did I decided to stick with Love In The Time Of Chlamydia, and it made it even closer to Marquez’s title, but it just felt right so that’s how it came to be. I think it hints at the way sex is presented in this piece specifically, which is kind of funny, and kind of weird, and it’s sexy but not in a conventional way.
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by The Happiest Medium on January 30, 2012
Five Questions. Five Answers. And one big decision: Rock, Paper, or Scissors?
Suzen Murakoshi
BREATHE LOVE REPEAT:a near-life experience
Produced by: The Mustique Projects
A samurai super daughter struggles with her mother at the crossroads between east and west to affirm life between this world and the next.
Show Times:
- Wed. 2/22 @ 10:30pm
- Fri. 2/24 @ 7:30pm
- Mon. 2/27 @ 7:30pm
- Fri. 3/2 @ 10:30pm
- Sun. 3/4 @ 7:00pm
Answers by Suzen Murakoshi
(Playwright, Performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean?
Suzen: THANKS! It’s the mantra I was wrestling with at one of the lowest points in my life. The ‘repeat’ part is the hardest, because it’s like, “you mean, I have to do it again? And, again?”
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by Karen Tortora-Lee on January 29, 2012
Flux Theatre Ensemble’s production of Menders (written by Erin Browne and directed by Heather Cohn) currently playing at The Gym at Judson will catch you by surprise – but not all at once. It will do so in subtle ways, often, and always differently than it did moments before.
First you will be drawn in by the simple aesthetics of the piece, which unfolds with a wisp of mystery but a promise of payoff in the end because, of course, that’s the way all good stories wrap up. Not necessarily with a good ending, or a bad ending, but a powerful ending which simply means one interlude has come to its natural conclusion. Director Heather Cohn understands how to build the perfect scaffolding around this story, which is a story of stories — each story within it also coming to not a good ending, or a bad ending … simply a powerful one.
Next you will be moved by the poem Mending Wall by Robert Frost which is recited in part by each character in kind as they move about the stage and gather items, disappearing and reappearing from behind several substantial walls that dominate the set (beautifully and cleanly designed by Cory Rodriguez). You’ll know what they’re reciting if you’ve read your program cover ahead of time — if not, it will come up soon enough and the elegance with which the symbolism is used is exquisite; each time lines from the verse are repeated they catch your ear differently, each iteration vibrating with a deeper meaning of what it means to keep people out, or in, or know precisely which it is that is being done. I’m sure those who have already seen the show were quick (as I was) to sit with the poem and see it through fresh eyes.
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by Karen Tortora-Lee on January 27, 2012
These days, when taking a road trip of any kind — even if it’s just over the state line to New Jersey — it’s almost impossible to think about arriving safely at your destination without the use of a GPS. The technology is so ubiquitous it’s now even an easily downloadable app for your phone. Days of trying to stretch a huge AAA TripTik across your steering wheel as you drive and hoping it doesn’t fly out the window are over. Unless you like getting pulled over for driving erratically, GPS is the way to go.
But what if your GPS could tell you more than which road to take, which exit is best, or which alternate route to use when you (despite its best advice) still managed to miss the turn? What if your GPS started telling you the answers to everything ? Especially during a time when you don’t seem to have the answers to anything? This is the premise of Eddie Antar’s The Navigator – a show which originally was presented by The WorkShop Theater in 2010 as a Play in Process. It was so successful that it was nominated for multiple IT awards, won 2 (for Outstanding Direction and Outstanding Lighting Design) and is now being remounted February 9-March 3 as a full production.
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