Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
Fear Factor: Canine Edition
Written by: John Grady
Fear Factor: Canine Edition is about the peculiar and misguided true adventures of a man and his very trusting, very forgiving, therapy dog. An award-winning tale of true love and overcoming obstacles, while staring fear in the face.
Show Times:
Wed 2/22 @ 9:00pm
Fri 2/24 @ 8:30pm
Sun 2/26 @ 1:00pm
Thu 3/1 @ 9:00pm
Sat 3/3 @ 7:00pm
Answers by John Grady
(Writer, Performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean? John: Thanks. I watch too much television…clearly. Is life merely a game?…Where everything I thought I’ve wanted, wished, or fought for, is always on the line? Am I the clutch hitter, stepping up to the plate, attempting to knock it out of the park to claim the title of The Natural? Or do I maybe bunt, or possibly force an error, hoping for something else?…and now just add a dog, and a ticking time bomb to that little scenario. Come watch Fear Factor: Canine Edition to see how it all plays out.
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
Rabbit Island
Company: Elephant Run District
Directed by: Aimee Todoroff
Alex zigzags irregular relationships with an erratic therapist, his off-again/on-again girlfriend, and an untamed burlesque dancer. What more will it take to become a Real New Yorker? “When life sucks as bad as your mental health, go to Rabbit Island.”
Show Times:
Thur 2/23 @ 9:00pm
Sat 2/25 @ 8:30pm
Mon 2/27 @ 7:30pm
Thur 3/01 @ 6:00pm
Sat 3/03 @ 5:30pm
Answers by Chris Harcum
(Playwright)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean? Chris: Oh, I bet you say that to all the Frigid Festival shows.
My friend, and brilliant costume designer, Kathryn Rohe, suggested I develop a character named Alex from my solo show Gotham Standards for a full play. He’s a Canadian in New York City and always slightly out of place, which is my default setting. I was looking at a Not For Tourists Guide and saw that Coney Island came from the Dutch “Konijn Eiland.” In English, that’s “Rabbit Island.” I also found out that Coney Island isn’t actually an island, it’s a peninsula. Something about that is fitting for the characters in this play who are freakshows on the inside and not all they seem on the outside. Plus, come on, rabbits. (You should ask me sometime how we came up with the company’s name, Elephant Run District. It’s a far more entertaining answer.)
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
Mac Rogers (photo by Lauren Arneson)
Judge, Yuri & Executioner
Company: Temerity Theatre Company
Directed by: DeLisa White
Zack is an 85-year-old masochist who prefers older women. His girlfriend just left him. Where can he find a kinky senior citizen now? Time to tell his darkly funny life story!
Show Times:
Thu 2/23 @ 8:00pm
Fri 2/24 @ 11:00pm
Sun 2/26 @ 12:30pm
Thu 3/01 @ 9:30pm
Sat 3/03 @ 8:00pm
Answers by Ed Malin
(Playwright)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean? Ed: The title is a pun on several episodes from the main character’s life. He is 85 years old, has seen a lot, and is a very happy masochist. As such, he finds himself identifying with Russian cosmonaut Yuri Gagarin.
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
Little Lady featuring Sandrine Lafond (Photo credit Paolo A. Santos)
Little Lady
The transformation of Cirque Du Soleil performer and Celine Dion dancer to performer generated theater artist is mirrored in this dark, comic and at times grotesque fable about our modern obsession with image. The exquisite movement skills of Lafond juxtapose with the world of distortion and manipulation accentuating LITTLE LADY’s tormented and blissful metamorphosis.
Show Times:
Thu 2/23 @ 6:30pm
Sat 2/25 @ 2pm
Tue 2/28 @ 9:30pm
Thu 3/1 @ 11pm
Sat 3/3 @ 5pm
Sun 3/4 @ 12:30pm
Answers by Sandrine Lafond
(Creator and performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean? Sandrine: It was last summer, I was on Manitoulin Island in North Ontario. I was working on two different characters and I needed a name to make sure I wouldn’t mix them up. It was the first thing that came to my mind. The only reason I kept it is because people liked it right away, so they decided! The name of the character and the piece are the same as ,I wanted simplicity.
As part of the Board of Directors of MTWorks I’m really proud to be involved with the National Newborn Festival. Part of my job was to help choose the Excellence in Playwriting Award (see below for the winner!) and this year I’ll be introducing one of the plays — but I won’t tell you which one! You’ll just have to come join me at the festival.
So what is Newborn?
Now on its sixth year, The National NewBorn Festival is MTWorks playwriting competition and flagship program created to find talented emerging playwrights from across the US, introduce their work to the New York community, and open new doors to regional voices.
READINGS ARE FREE AND OPEN TO THE PUBLIC
February 2-4, 2012 The City College of New York (map)
North Academic Center, 160 Convent Avenue New York, NY
First Floor Lecture Hall (1/202)
THE 2012 PLAYS & SCHEDULE
Thursday, February 2nd at 7pm
The Tragedy of Dandelion by Duncan Pflaster, directed by Leah Bonvissuto, produced by Jessica Thornhill.
The Tragedy of Dandelion follows a Princess named Dandelion, who attempts to escape, by dressing as a boy, a forced marriage to Ratliff, a man who raped and impregnated her. She collaborates with Prince Crispin, son of Queen Alice, telling him that the baby is his, to gain a place in that kingdom and while waiting in the Queen’s orchard, meets the Queen’s daughter, Princess Cèlie, and shares a kiss with her. She gains a place in Alice’s kingdom, till Ratliff and her father King Stephano, come to Alice’s palace and point out that Dandelion is a female, and drag her away. A new lesbian verse play by Duncan Pflaster.
The Morningside Opera company offered up a quite singular interpretation of Pergolesi‘s Stabat Mater in their Fabulosa rendition on January 26th at Dixon Place, which proved, at once, a scholarly as well as a quite literal undressing of the original. Composed in 1736 – the year of Pergolesi’s death at the august age of 26 – the piece has been an iconic work in the canon of western sacred music ever since and has enjoyed an unbroken record of performance for nearly three hundred years. This surely says something about a work, to have endured so vigorously the vagaries of artistic, musical, and religious change, never mind or dare one say, taste. Which in many ways explains its attraction for Morningside Opera, who see their role as boundary-pushers wishing to invigorate dialogue between traditional and new modes of the form. Their stripped down presentation was both scholastically dense as well as visually provocative.
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
I MARRIED A NUN! Dyan Forest
I Married A Nun!
A one-woman show that dramatically depicts D’yan’s search for love and meaning in life, finding the answers—at age 77—in the smoldering cabarets and demimonde of Paris. With humor, art and her ukulele, she reveals the truth that’s valid for all of us.
Show Times:
Wed. 2/22 @ 9:00 PM
Thurs. 2/23 @ 6:00 PM
Sun. 2/26 @ 1:00 PM
Thurs. 3/1 @ 7:30 PM
Sat. 3/3 @ 8:30 PM
Answers by D’yan Forest
(Playwright & Performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean? D’yan: It’s the truth, and the reason I wrote the show.
Five Questions. Five Answers. And one big decision: Rock, Paper, or Scissors?
Nicole Pandolfo
Love In The Time Of Chlamydia
Company: Hard Sparks
Love In The Time Of Chlamydia is one woman’s search for love in a world full of absent dads, dirtbag boyfriends, and premature ejaculators. Your first time wasn’t weirder – and your best time wasn’t wilder – than writer-performer Nicole Pandolfo’s.
Show Times:
Thur. 2/23 @ 10:30 PM
Sat. 2/25 @ 4:00 PM
Sun. 2/26 @ 4:00 PM
Wed. 2/29 @ 6:00 PM
Sun 3/4 @ 5:30 PM
Answers by Nicole Pandolfo
(Writer, Performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean? Nicole: Well, it started out originally as monologues from the perspective of prostitutes who had seen really weird stuff go down on the job, and it was called Five Fucked Up Fetishes. Then I realized I was using a lot of back story from my own real life – God that sounds bad – and then I was like ‘ok, this is actually going to be a one person show based on my life.’ And then, because there is a vignette with venereal disease, I came up with Sex in the Time of Chlamydia. I came up with that very quickly and it was obviously inspired in its form by the title Love in the Time of Cholera. And then when I was really getting into writing the first draft I realized that even though there was a lot of sex in the piece it was really about love. And it took me a minute for that to sink in. But once it did I decided to stick with Love In The Time Of Chlamydia, and it made it even closer to Marquez’s title, but it just felt right so that’s how it came to be. I think it hints at the way sex is presented in this piece specifically, which is kind of funny, and kind of weird, and it’s sexy but not in a conventional way.
Five Questions. Five Answers. And one big decision: Rock, Paper, or Scissors?
Suzen Murakoshi
BREATHE LOVE REPEAT:a near-life experience
Produced by: The Mustique Projects
A samurai super daughter struggles with her mother at the crossroads between east and west to affirm life between this world and the next.
Show Times:
Wed. 2/22 @ 10:30pm
Fri. 2/24 @ 7:30pm
Mon. 2/27 @ 7:30pm
Fri. 3/2 @ 10:30pm
Sun. 3/4 @ 7:00pm
Answers by Suzen Murakoshi
(Playwright, Performer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean? Suzen: THANKS! It’s the mantra I was wrestling with at one of the lowest points in my life. The ‘repeat’ part is the hardest, because it’s like, “you mean, I have to do it again? And, again?”
We’re always excited to hear that a great show is sticking around for a while. And if you had a chance to read Geoffrey Paddy Johnson’s review of Samuel & Alasdair: A Personal History of the Robot War you know that it was a great show. (If you DIDN’T get a chance to read it, go ahead and click the link above. We’ll be right here when you get back).
So I’m sure Paddy would be the first in line to celebrate the announcement tha the New Ohio Theatre is extending the Manhattan Premiere of The Mad Ones’ critically acclaimed Samuel & Alasdair: A Personal History of the Robot War for two additional weeks.
The extension runs from February 9 – 18.
Samuel & Alasdair: A Personal History of the Robot War is a sci-fi surrealist War of the Worlds meets A Prairie Home Companion examination of American nostalgia that combines 1950s radio drama, vintage country music and Soviet science.
~~~
Samuel & Alasdair: A Personal History of the Robot War
Produced by The Mad Ones
Text by Marc Bovino & Joe Curnutte
Co-Conceived & Directed by Lila Neugebauer
Co-Created by the Ensemble
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New Ohio Theatre
154 Christopher Street
NYC
Click Here for tickets
