by Karen Tortora-Lee on February 24, 2012
“This is not your father’s burlesque show,” intones host Atlanta Georgia (Marlena Kalm) to the assemblage who stare at the three preening women who are outfitted in sky-high heels, racy bodices and flirty skirts of the schoolgirl-gone-bad-kilt and tutu variety. With glittery winks and flicking hips these three women ooze dangerous sex appeal and edgy one-liners (I’m like a happy meal … I come with toys). They are daring and flirty and dirty and in control – demanding that the squeamish leave the building so that they can get on with the show. “We know how you like it …” they taunt, “And we know why you keep it a secret from Wifey.”
Welcome to Daughters of Lot (written by Alexis Roblan and directed by Rachel Kerry) where the Bible Belt meets the Garter Belt, where Feminism has as many meanings as Eskimos have words for snow and where women run the gamut from young and innocent to young and jaded. If you’re looking for a man here you’ll find him only when he’s being channelled by one of the women, when he’s being serviced (unseen) by one of his daughters backstage, or when you look to your left at the guy sitting next to you.
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by The Happiest Medium on February 24, 2012
The Happiest Medium Review by Guest Contributor Linnea Covington
If you have ever had dreams of your dolls coming to life and doing a sexy strip tease, this show is for you. Produced by two-time FringeNYC winning performer and playwright Cyndi Freeman with storyteller Brad Lawrence, both whom are burlesque performers, Scratch & Pitz Burlesque and Variety Hour proved a comical hour of pretty girls, awkward men, song, and a tantalizing strip-off between our heroine and the Devil. That’s right, the Devil. Played by Lawrence, who goes by Handsome Brad in the burlesque world, the Devil comes on stage dressed to the nines with the intention of garnering a few souls for his collection. What he didn’t reckon was facing off against Cherry Pitz, played by Freeman, a pink puffy-wigged aspiring variety show host who is a combination of Lady Gaga and Fran Drescher with just a splash of Jersey Shore.
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by The Happiest Medium on February 5, 2012
Five Questions. Five Answers. And One Big Decision: Rock, Paper, Or Scissors?
Daughters of Lot (Marlena Kalm, photo by Rachel Kerry)
Daughters Of Lot
Company: Brain Melt Consortium
Directed by: Rachel Kerry
The evening’s entertainment is a sexy and silly retelling of an ancient story, until the performers do a trick that requires more than flexibility. Arousing and agitating in Biblical proportions, this is not your daddy’s burlesque club… or maybe it is.
Show Times:
- Thu 2/23 @ 7:30 pm
- Sat 2/25 @ 5:30 pm
- Tue 2/28 @9:00 pm
- Fri 3/2 @ 5:30 pm
- Sun 3/4 @ 4:00 pm
Answers by Alexis Roblan
(Playwright, Producer)
Karen Tortora-Lee’s Question
That’s some title. How did you come up with it – and what does it mean?
Alexis: Daughters of Lot takes place in a burlesque club where the performers conjur up a couple Biblical characters to play with — Lot’s daughters. So in one sense, the title’s pretty literal. It’s also a reference to the fact that Lot, from the story of Sodom & Gomorrah, has a name, but none of the women in the story (including his daughters) are ever given names.
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by Lina Zeldovich on September 25, 2010
Burlesque is about fun and mischief, and Revealed Burlesque is as mischievous and revealing as it gets.
The producer, Doc Wasabassco and co-producer GiGi La Femme, who is also the star of the show, have the moxie and sexy to create a one-of-a-kind neo-burlesque, that combined everything from female allure to the beauty of a human body to a hearty laugh with some deliciously dirty thoughts thrown in. Hosted by the hilarious Bastard Keith along with his stage kitten sidekick, Madame Rosebud, this monthly striptease extravaganza makes your fantasies come true. Perhaps it can even teaches you a thing or two that you always wanted to know but you were embarrassed to ask.
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by Lina Zeldovich on August 29, 2010
Costume ensembles are just about the only thing that carries Dream of Marionettes as a show. Perhaps the idea of adding a burlesque spirit to a marionettes’ rebellion against an abusive puppeteer who exploited his dolls and threatened to throw them in the furnace seemed like a new twist on the old Pinocchio tale, but the script is simply too flat.
When the dolls get a hold of their Stromboli’s magic wand, they turn the old, bald and goateed owner into a marionette himself, force him to obey their orders and make fun of him in every way imaginable. Nothing wrong with some healthy femme fatale domination, especially when it comes to burlesque, but it’s just never gets funny. In fact, every joke is a cliché, every song sounds like something we’ve heard before and the story comes out lame. Even the promised burlesque part doesn’t seem to really “take” – barely anyone takes any clothes off during the show.
The Bottom Line? The Marionette’s cast, which actually does know how to sing and dance, and the truly great costume designer were the highlights of the show.
————–
Dream of the Marionettes / Le Reve des Marionettes
Les Marionettes Productions
Written by Johanna Divine and Christy Leichty; Music by Johanna Divine and Daniel Coolik
Directed by Steven Cooper and Christy Leichty
Choreography by John Vincent
Final performance: Sunday, August 29th at 2:30pm
www.DreamOfTheMarionettes.com
Ellen Stewart Theatre at La MaMa (66 E 4th St)
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by Karen Tortora-Lee on August 24, 2010
When I was a child there were a few things you could count on, and one of them was that (in the days before VCRs – and yes, honey, I AM that old) if you waited long enough The Wizard of Oz was going to be on TV at some point that year. Back in the day, TV had that kind of power . . . it could make you wait expectantly for something and then give you the big reveal – making your heart beat faster for that one joyful night.
Seeing Friends Of Dorothy – An Oz Cabaret was a little bit like that and . . . I have a feeling that – just like the hallowed movie – we haven’t seen the last of it. Dorothy is a Fringe Encore if I ever saw one. So, while the show has packed up its rigging and its pasties, sit tight. Here’s a little breakdown of what will certainly come around again:
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