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Legacy of the Tiger Mother Book and Lyrics: Angela Chan & Michael Manley Music: Angela Chan Director: Lysander Abadia Got Mommy Issues? Join us on a musical journey of old school parenting in a new country. Show Times: Mon 1/16 @ 8:00pm Wed 1/18 @ 6:30pm Thu 1/19 @ 6:30pm Answers by Angela Chan ... Read The Full Article...
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Sanctuary Susanne Sulby writer, actor, co-director, Andrea Haring co-director An exploration of the struggles and tragedies of war and our need for sanctuary. A fast paced energetic multi media exploration of the roles we have played in war throughout time. Multiple characters expose the connections of fear, bigotry, power and religion with war and ... Read The Full Article...
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A Time to Dance written and performed by Libby Skala The story of a pioneering Austrian who transcends poverty, artistic repression and the rise of Hitler through the magic of dance. Show Times: Tuesday, 1/17 @ 6pm Friday, 1/20 @ 9pm Sunday, 1/22 @ 3pm Answers by Libby Skala (Playwright, Director, Producer, Performer) ... Read The Full Article...
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SEASONS Writer: Katie Hammond and Elaine Pechacek Director: Danny Williams Spanning the course of one year, SEASONS is a story about love. This original musical delves into the lives of two couples. Poignant and touching, this story explores the characters with humor and realism, and will leave the audience wanting more. Take a listen here: ... Read The Full Article...
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The Happiest Medium Review by guest contributor Anjali Koppal . I’ll admit it — knowing nothing about horses and not being an animal lover, the only reason I initially jumped at the prospect of watching ‘War Horse’ was the fact that it is directed by Steven Spielberg. Not ‘Executive Produced’, not ‘Presented By’, but directed. ... Read The Full Article...
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The Happiest Medium review by guest contributor Penny Pollak. In a time where the world is radically changing its views on our monetary system, and taking a stand on debt and the crimes of the one percent, Aidan Killian’s Take The Red Pill has come to New York at just the right time. A revolution ... Read The Full Article...
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interview done by Karen + Stephen Tortora-Lee Mike Milazzo – The Show from Mads Jeppesen on Vimeo. If you’ve ever seen Mike Milazzo play the guitar then you already know what an amazing experience it is to watch him – his fingers fly effortlessly over the strings producing almost unbelievably complex sounds that are not ... Read The Full Article...
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The Happiest Medium Review by guest contributors Anjali Koppal and Saurabh Paranjape It has been a rocky decade for America’s relationship with the Muslim world, and while we have heard the voices of everyone from politicians and pundits to ‘Islam experts’ and firebrand evangelicals about the motivations, implications and myriad other ‘-ations’ of the ... Read The Full Article...
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The Happiest Medium Review by guest contributors Anjali Koppal and Saurabh Paranjape Craving, writer/performer Delphine Brooker’s one-act, one-woman play about her own battle with anorexia and bulimia, is a unique animal. Rather than indulging in the kind of pedantic damnation of outside societal influences that one expects, Brooker chooses to frame her narrative ... Read The Full Article...
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The Happiest Medium Review by guest contributors Anjali Koppal and Saurabh Paranjape We like anthologies because they’re the artistic equivalent of a buffet – you set expectations low and pile your plate high in the hope that you like more things than you don’t like. And of course, when you bite into something delicious like ... Read The Full Article...
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The Happiest Medium Review by guest contributors Anjali Koppal and Saurabh Paranjape Nightsong For The Boatman, a new play by the late Jovanka Bach and brought to life as a loving tribute by her husband John Stark, is an odd creature. Ostensibly a modern take on the ancient Greek play ‘Alcestis’, Nightsong is a strangely ... Read The Full Article...
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The Happiest Medium Review by guest contributors Anjali Koppal and Saurabh Paranjape We went into Dorothy Fortenberry’s Good Egg expecting a light hearted take on the subject of embryo selection, probably due to the play’s frothy self-description (“A funny and surprising play about bioethics, siblings, and the limits of unconditional love”). We walked out of ... Read The Full Article...
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