Today The Happiest Medium shines the spotlight Somewhere in The Dark, in this interview with Danishfilmmaker Mads Jeppesen.
“Somewhere in the Dark is an insightful cinema verite documentary that encompasses the raw undiscovered talents within a plethora of individuals and their hunt for somewhere to create and express their art through the dark and underground of New York City. This documentary depicts the essence as to why people are drawn to this capital of the world and conveys a deep, rich and compelling insight into the people that work to realise their dreams and their passions. To strive for a destiny, or find fulfillment in the dark, this piece captures the journey and the struggle it takes to find a way when you’re somewhere in the dark.” ~ Mads Jeppesen
I’d say that Mark Gindick had me at “hello” with his one-man comedy performance Wing-Man (directed by Barry Lubin) but he actually never said “hello”. In fact, he didn’t say anything. For a solid hour Mark Gindick doesn’t really say a word but as surely as he arrives on the scene with a rose and a heart-shaped box of candy there’s no mistaking that he’s there to win your heart. And frankly, were I not happily married I’d readily have given my heart (and a kiss – but more on that in a minute) to this man as easily as I gave him my laughter — because Mark Gindick just happens to be that engaging, magnetic and sweet. And frankly, if anyone deserves your love, it’s him.
I don’t even know how to start explaining how or why Neon Lights (created and performed by Chris Manley and Jeff Seal) became the show that had me laughing so hard that I was literally wheezing. Truthfully, if I gave you a rundown of everything they did in their act it would sound like I’m describing a show where two crazy lunatics mostly run around the stage for around an hour performing foolish antics, emitting crazy noises, flipping themselves around like pinballs and telling nonsensical stories – all for a laugh. But you know how some people open their mouth to hit a high note and it sounds like a screech – but when Pavarotti did the same thing it was magic? Yeah. That’s Neon Lights. Somehow, they’ve found the magic. Or – as they would tell you – the Magik.
Ever wonder what it might be like to hang out for a weekend with the casually wealthy? Ever yearn to be part of a clique of old friends who sit around and poke fun at each other for small transgressions such as packing five pairs of shoes for a four day trip or dropping, say, 30K on a Birkin bag? Then meet the people of playwright Molly Moroney’s Kithless In Paradise now playing at the Lion Theatre at Theatre Row. Hosts Tim McCall (David Wirth) and his wife Janice (Liz Forst) open their comfortable San Francisco home – as they do each year – to old friends Phil (Brit Herring) and Polly Barrett (Tracy Newirth) who come from Texas for the yearly shindig. Casual. It’s all very casual. The way they catch up on what’s been going on since they last met, the way they drink and drink … and drink. And drink. The way they bring up their successes as well as their failures. It’s all tossed off casually as they pass around the three thousand dollar bottle of wine and enjoy the hors d’oeuvres. Drop in on them briefly and you’d wish you were one of them. But stay awhile and you’ll start to miss your cramped apartment where the wine may come out of a box but at least you’re guaranteed a far better quality of kith.
I’ve known Grandma The Clown for as long as I’ve known the Big Apple Circus. Grandma is as much a part of that circus arena as the sawdust and the trapeze rigging. But it wasn’t until I saw the PBS documentary CIRCUS that I got to know Barry Lubin – the man underneath the gray wig and pearls. Meeting Barry Lubin through the six part series was a wonderful way to see exactly how much work goes into making people laugh year after year. It’s no easy job, and the life of a clown is serious business.
Last week I spoke with Mark Gindick about Wing-Man which opens tonight and plays this weekend as part of The Brick’s Amuse Bouche 2011: A NY Clown Theatre Festival Hors d’Oeuvre. Today I follow up that interview by speaking with Barry, who directed the show. I’m thrilled that he was able to share his story with us and give us a glimpse into his world. Read on to find out what it takes to be Mark’s Wing-Man, how Barry makes a 20,000 person venue feel intimate, and how getting out of his own way is when the magic happens. Continue Reading…
Attempting to grapple with the national ideological landscape of the present, James Haigney‘s new drama, The Woman Standing on the Moon, playing at United Stages on 30th Street, is undeniably ambitious. This is a serious minded engagement with the extremism of the times – religious and atheist. Set around Fayetteville, NC in 2006, the story focuses on the character of Mary Latrobe, a documentary filmmaker currently shooting a project examining Christian fundamentalism in the U.S. military. For her subject Mary has fastened on to a former Military Police officer, Randy Wallace, who is now a charismatic preacher in the area, with the glint of apocalypse in his eye. For Mary he is the ultimate bugaboo in the system, an evangelical extremist fashioning a corp elite of like-minded soldiers with a reach all the way up to the Pentagon. The mix is potentially, well, apocalyptic. She trains her camera relentlessly on Randy, willing him to expose his darker purpose, yet is met with a gentle-eyed, Bob Dylan quoting figure who espouses Christian wholesomeness and accord. We see clips of Randy’s camera self largely projected onto Christopher Thompson’s minimal, subtle set. He gives good face and sounds “harmlessly” idealistic. But Mary’s senses are sharp and she is not easily persuaded. Having both lost loved ones in acts of war, Mary and Randy are traumatized people. In their own ways they are looking to bring off some momentous coup that will bring life back into alignment; both are pushing for “revelation”. One deploys reason, the other, faith.
Morro and Jasp Gone Wild is what happens to two teen sisters when, on their way to the beach for Spring Break, they take a wrong turn and find themselves with a wrecked car, a trunk full of props, a book outlining Maslow’s Theory of Hierarchy some possibly mood altering substances, and the threat of being eaten (or possibly just cuddled) by a wild animal.
So, a quick run-down on Morro (Heather Marie Annis) and Jasp (Amy Lee) for the uninitiated – (“the uninitiated” being anyone who didn’t happen to catch their show Morro and Jasp do Puberty at last year’s Clown Festival). They are sisters. They are squarely plunked down on opposite ends of the spectrum: Jasp is a girly wide eyed innocent who dreams of have a romantic … dare I say romantical … encounter at the beach a la Sandy from Grease with the boy of her dreams while her sister, Morro is a hard core tom boy rock and roll party girl who couldn’t care less about romance. She just wants to drink some smuggled beer, and have some fun with her team as they compete in a “Save the Fish” volleyball tournament. While both sisters have different reasons propelling them they share the same frenzied desire to get to the beach. To GO WILD. It’s just your basic teen story of raging hormones as two sisters live the dream, mark off the milestones, and let the chaotic hilarity ensue when it all goes wrong. Except, you know … they’re clowns. Continue Reading…
Mark Gindick in Wing-Man (Photo by Florence Montmare)
If you were lucky enough to catch the PBS documentary Circusthen you’ve already met Mark Gindick whose antics as a Big Apple Circus clown were prominently featured in that six-part mini series which followed the lives of the performers and crew during their 2008 season. Or, you may have been lucky enough to see Mark perform live as he captured Big Apple Circus audiences with his delightful Singing In The Rainroutine alongside Grandma The Clown (Barry Lubin).
Of course, you may have caught any one of a number of Mark’s other great performances with Big Apple Circus or The New York Goofs. He’s also no stranger to The Brick’s Amuse Bouche having performed in their 2009 festival. He now returns to The Brick for this season’s Amuse Boucheas creator and performer of Wing-Man, a show directed by Barry Lubin. I was lucky enough to chat with these two very talented men to find out what it took to get Wing-Man off the ground.
Today I kick off the two part series with Mark. Read on to find out how he fell into clowning, what set him on the path that changed his life, and what he’s most excited about for this year’s Amuse Bouche …
If you’ve ever seen Mike Milazzo play the guitar then you already know what an amazing experience it is to watch him – his fingers fly effortlessly over the strings producing almost unbelievably complex sounds that are not only beautiful and powerful but raw and real. As a songwriter Mike has the ability to find the core of what connects us all and finesse it into thoughtful words and haunting melodies. As a singer, Mike’s voice is earnest and true; evocative and filled with emotion. He takes you on a journey with every line he sings, and it’s not until he’s strummed his last note that you’re able to break the hypnotic spell which his music has cast over you. You only have to sit through one of Mike’s performances to know that he is one of the best musicians around.
For those not lucky enough to be able to see Mike perform in person, he’s working on getting a new album out called “The Show”. Mike Milazzo took some time in between gigs to chat with us about what inspired him to write these songs, what the differences are between collaborating and going solo, and he finally solves the mystery of who, exactly, “Mr. Barry” is. Read on …
The Happiest Medium Review by guest contributors Anjali Koppal and Saurabh Paranjape
It has been a rocky decade for America’s relationship with the Muslim world, and while we have heard the voices of everyone from politicians and pundits to ‘Islam experts’ and firebrand evangelicals about the motivations, implications and myriad other ‘-ations’ of the conflict, the thoughts and feelings of the average Muslim American immigrant from these troubled areas has been largely missing from popular culture. In The Domestic Crusaders, writer Wajahat Ali tries to bridge this gap between the people and their stereotypes. Unfortunately, in his enthusiasm to tackle multiple interesting issues, Ali fails to create a cohesive, engaging play. Continue Reading…
