Take a cross dressing princess who woos everyone in her path in order to be with her true love, add a philosopher whose cerebral journey allows no room for romance, mix in his spinster sister who’s been shut away in a lonely compound full of men but with no opportunity, throw in a young man whose throne has been stolen from his family and who’s been raised to think women are the enemy, drizzle it all with the broad antics of comedic sidekicks and what do you get? Pierre Carlet de Chamblain de Marivaux’s farce Triumph of Love . . . written in 1737. But don’t let the 300 year old time stamp deter you - Redd Tale Theatre company has a new adaptation in store for audiences, with a new translation by Virginie Maries and a bit of a sci fi twist as well, courtesy of director (and adapter) Will Le Vasseur.
It has been a long 13 years since hiphop artist EMINEM burst onto the music scene and the charts with his first studio record, “The Slim Shady LP”. An ecclectic and shocking album, 5 more equally shocking albums would follow, and be placed at number 1 on the American Billboard Charts for years to come.
Bill Connington as Oedipus (photo by Beau Allulli)
When looking for a quote to use as a title for this fantastic interview you’re about to read I had so many, many wonderful choices. Ultimately I went with a more benign line from the Megadeath song but I urge you to check out the Alice Cooper ode to the dark one as well as the more contemplative song brought to us by the Indigo Girls. Maybe even play it in the background to set the tone as you settle in to read my interview with Rachel Klein and Bill Connington.
If those names sound familiar it may be because Rachel Klein has done amazing work with shows like All Kinds of Shifty Villains and Go-Go Killers! while Bill Connington garnered raves in Fringe ’08 with Zombie. Ms. Klein now teams up with Mr. Connington to not only direct a show he has written and is performing in, but to create dance and movement pieces for it as well. I got a chance to chat with Klein and Connington about their new collaboration, Princes of Darkness, and hear first hand about good and evil, how go-go dancing can still be dystopian, and how, often, a Jesuit education will lead to raising children who write shows starring Lucifer.
THE CONTEST IS NOW CLOSED – BUT YOU CAN STILL CHECK OUT THE SHOW!
The Happiest Medium Giveaway is on a wedding-themed roll . . . Last month we offered you An Ideal Husband, this month we offer you a Honeymoon! Okay, again, it’s not a REAL Honeymoon – and actually, it’s an Unfortunate one . . . The Unfortunate Honeymoon of Tony and Steve. But come on – everyone knows how much fun it is to laugh at other’s misfortune and what could be funnier than this . . .
The Happiest Medium Review by guest contributor Kate Mickere
The art of storytelling seems to be in the Irish blood. Ancient bards used to wander the Irish countryside, singing the haunting ballads of the isle for a pint of ale. Ray Yeates is a modern bard, traveling across the Atlantic to perform the beautiful one-man show, The Parting Glass.
Written by Dermot Bolger, The Parting Glass examines the story of Eoin, a middle-aged man returning to Ireland after a twenty year absence. Telling his story from the waiting area of the Dublin airport, Eoin takes us through his life. With a great warmth and sharp humor, he discusses childhood friends, life in Germany and soccer. He beautifully explains a father’s love for his son and mourns the loss of his parents and the Irish way of life.
I’m sure it happens to you sometimes … You’re walking down the street, pondering the inevitability of change and the hardship it’s apt to cause when you fail to adapt, and other foibles of the human condition…
Then suddenly you realize that the person beside you is reading your mind, and doesn’t like what they see, and is leveling their blaster at you to fire, when …
On July 19, 2010, The New York Innovative Theatre Foundation, the organization dedicated to celebrating Off-Off-Broadway, announced the 2010 nominees at its annual sold-out event.
The Happiest Medium salutes all the nominees this year, as well as all the other fantastic actors and ensembles whose names are not on this list but whose hard work and amazing ability makes it easy for me to get out there, week after week, and do my job. Off-Off Broadway has given me some of the riches theatre experiences I’ve ever had – voices of new playwrights have been illuminated for me, brilliant actors have been showcased for me, and innovated directors have taken dusty chestnuts and held them up in a new way for me. There’s nothing like Off-Off Broadway – I’m proud to call myself a member of its ranks.
An so, without further delay, I give you this year’s nominees. To read any of the THM reviews (where applicable) click the appropriate show links. No links means (sadly) no review. I have also included The Fab Marquee reviews where applicable.
In a time when full immersion is the key to any good entertainment experience Mardi-Ellen Hill has managed to create a multi media-universe that allows the participant to be drawn into a world of her creation through any number of doors. Choose your favorite: book, game, music, and let the hidden mystery that is the MEND™ Universe unfold.
I got a chance to chat with creator Mardi-Ellen Hill who could explain this multi-level, multi media project far better than I ever could . . .
Not all plays written in 1893 can weather an update; something is bound to be sacrificed for the sake of modernizing, be it plot, character or theme. But An Ideal Husband is not all plays. Writer Oscar Wilde was a man who had an uncanny ability to write about the time he was living in and observing, while simultaneously writing far ahead of his time; and thus An Ideal Husband in the hands of Director Meghan Formwalt of Big Rodent productions, joyfully skips ahead 70 years to 1964 with hardly a wrinkle to show for the long journey.
Looking to hire Josh Rivedal for your next show but can’t get a hold of his resume or reel? Look no further than The Gospel According To Josh - in one fast-moving hour you’ll see Josh run through his catalog of imitations, hear him sing songs both secular and sacred, and see him show his emotional range which starts off as lively stand up comic and ends as bereaved son. Step right up, folks, and you’ll see Josh juggle it all. Is he good at it? You betcha. Is this an entertaining hour?Undoubtedly. But the main thread of the story – Josh’s strange, complicated, ultimately heartbreaking relationship with his father – frays as it strains to contain the overflow of personalities, imitations, anecdotes and song stylings – much the way an above-ground pool buckles when presented with that one last kid hell bent on cannonballing into the deep. All of a sudden there’s just one too many pair of water wings in the pool . . . and similarly Gospel has a few too many distractions that detour from what could ultimately be a very strong piece.